{"title":"Choreographic Computational Composites: Investigating Small-Size Shape-Change Architecture through Performative Arts","authors":"Alice Rzezonka","doi":"10.1145/3173225.3173342","DOIUrl":null,"url":null,"abstract":"Dynamically changing the form or surface of objects enables new and rich ways of communicating through (memorized) movement. Previous work has addressed the social perception of and interaction with shape-changing objects in a laboratory setting or everyday surrounding. But, the complex link between human movement, shape-change, and material memory has not yet explicitly been addressed. In this doctoral research project, it is assumed that designing in cooperation with dancers reveals insights into these interrelations. Therefore, this project aims at documentating the design process of and performance with a shape-change architecture. Since dancers are specialists in memorizing movement and communicating through movement, I expect to reveal insights that are of relevance for future design projects and, at the same, explore the work with dancers as a method of Embodied Design Ideation (EDI).","PeriodicalId":176301,"journal":{"name":"Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction","volume":"52 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/3173225.3173342","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Dynamically changing the form or surface of objects enables new and rich ways of communicating through (memorized) movement. Previous work has addressed the social perception of and interaction with shape-changing objects in a laboratory setting or everyday surrounding. But, the complex link between human movement, shape-change, and material memory has not yet explicitly been addressed. In this doctoral research project, it is assumed that designing in cooperation with dancers reveals insights into these interrelations. Therefore, this project aims at documentating the design process of and performance with a shape-change architecture. Since dancers are specialists in memorizing movement and communicating through movement, I expect to reveal insights that are of relevance for future design projects and, at the same, explore the work with dancers as a method of Embodied Design Ideation (EDI).