New Life Songs in the Process of Building a Socialist Ideal - an Anthropological Perspective

Abstract

After 1989, corruption has become a matter of importance in Romanian society and many theories and analyses on the specificity of the phenomenon emerged. Among them, some tried to explain the causes of Romanian corruption and usually reached a fatalistic conclusion. My article focuses on the theories of historical origins of Romanian corruption. The first is the transition period from communism to democracy, which first brought societal anomy and the arbitrary or discretionary redistribution of power and resources. This state of affairs revealed older corrupt practices, but also encouraged more subversive corruption configurations. Another theory refers to the communist practices and values. I make an observation on the contradictory nature of corruption in this era: Corruption had a negative effect on the communist state, but it led to the achievement of ambitious results through the informal network. There is also a question I ask: is it possible for corruption to be legitimate when the government becomes illegitimate? The last theory on the origin of Romanian corruption is the experience of Balkanism and Orientalism and I try to discuss the scientific fairness in analysing corruption by referring to a historical moment that does not recognize it as such.In the years of communism, folklore has stood for an important propagandistic instrument for remodelling the thought patterns of the masses. Censorship tucked away any form of creation that was not in accordance with the process of building socialism. My approach proposes a critical analysis, from an anthropological perspective on the setting up of new life songs and a representation of how folklore was used for propaganda purposes in the years of communism.