Rinko Kawauchi: Imperfect Photographs

Clara Masnatta
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Abstract

: The oeuvre of contemporary Japanese photographer Rinko Kawauchi is characterized by an approach that gives precedence to process over product and combines conceptual art with vernacular traditions, making her pictures happily imperfect. Starting with Kawauchi’s transmedial concept of the image, often positioned be-tween word and image and mainly materialized through photo books, I propose that Kawauchi’s photographs are imperfect thanks to her experimentation with technical mistakes, the vernacular subject-matter of everyday snapshots, seriality, sequencing, and format variation, elliptical visibility, the aesthetics of color, and a non-linear temporality. Imperfection,furthermore,emphasizesthematerialityofthemedium,andremovesphotographyfromthereferent-centereddocumentary domainbywayof aesthetic , rather than semiotic, significance. Im-perfection also activates different modes of reception, emphasizing emotional involvement and participant viewing.
川内凛子:不完美的照片
日本当代摄影师川内仁子的作品以过程优先于产品为特点,将观念艺术与本土传统相结合,使她的照片令人愉快地不完美。从川内的跨媒介图像概念开始,通常定位于文字和图像之间,主要通过图片集实现,我认为川内的照片是不完美的,这要归功于她对技术错误的实验,日常快照的白话主题,序列,顺序和格式变化,椭圆可见性,色彩美学和非线性时间性。此外,不完美强调了媒介的物质性,并通过美学而非符号学意义,将摄影从以参考为中心的纪实领域中移除。“不完美”也会激活不同的接受模式,强调情感参与和参与者观看。
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