The Etiquette of the Saintly Dragon Fight (ii)

D. Ogden
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Abstract

A number of recurring sets of motifs of an elaborate kind and with a degree of independence from the principal narrative course (charted in Chapter 6) are documented and analysed here: the dragon and its great brood of serpents; the sacrifice of virgins to the dragon; the attempt to compel the saint to make sacrifice before an idol inhabited by a dragon; the saint’s revival of the boy that had been the dragon’s last victim; the sending of dragons back against the magicians that had unleashed them; and female dragon-fighting saints. Consideration is also given to some matters of ‘meta-narrative’ interest, namely the impact of the attribution of multiple dragon-fights to a single saint (e.g. Silvester and Fronto) and, more intriguingly, the impact of the attribution of fights against what is effectively the same dragon to different saints, as most notably in the case of the Dragon of Rome.
神龙搏击的礼仪(二)
这里记录和分析了一些反复出现的主题,它们是一种精心设计的主题,在一定程度上独立于主要的叙事过程(见第6章):龙和它的一大群蛇;把处女献给龙;试图迫使圣人在龙居住的偶像前做出牺牲;圣人复活了那个曾经是恶龙最后牺牲品的男孩;让恶龙回归对抗释放它们的魔法师;以及女性斗龙圣人。我们还考虑了一些“元叙事”的问题,即将多个龙的战斗归因于单个圣人(如Silvester和Fronto)的影响,更有趣的是,将与同一条龙的战斗归因于不同圣人的影响,最明显的是罗马之龙的情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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