MET-LITERATURE AS A WAY OF MANIFESTING META-REALITY: JN THE ROAD TO A NEW WORLD VIEW

N. Astrakhan
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Abstract

The article deals with the phenomenon of meta-literature as a manifestation of self-reflection inherent in creative writing and artistic creation. The articles makes an attempt to characterize the phenomenon of meta-literature, which reflects the basic laws of literary development in the twentieth century, gaining special significance in the context of the transition from modernism to postmodernism. It is noted that the problem of art and reality relations is re-thought in connection with the formation and development of modernist literature, all the most significant works of which in one way or another are involved in updating the vectors of artistic solution to this problem. The aesthetic, ideological and poetic features of modernist literature are analyzed, the shift that the content sphere of modernist works undergoes in connection with the interpretation of the problem of art and reality relations is demonstrated, and their poetic basis is determined. It is emphasized that by exploring the phenomenon of literature artistically, meta-literature, in its various manifestations, opens the prospects for a new vision of reality, allows to expand and deepen its understanding. By arguing the need for experiencing literature within the framework of existential experience and thus removing the boundary between artistic and real dimensions of existence ("real life is literature", according to M. Proust), modernists approached the views of philosophical hermeneutics. Remythologization, which characterizes the modernist literary and artistic discourse, can also be understood in connection with the need to correlate artistic meanings with existential ones, to find new ways of identifying and legitimizing them in the situation of religious consciousness crisis. A new configuration of the combination of ancient and biblical-Christian meta-images in the process of remythologization determines the construction of a new world view and concept of man, ensures the achievement of a multifaceted vision of reality. The introduction of the metabolic image of a book into the works of postmodern literature provides an artistic manifestation of the meta-reality discovered by modernism.
大都会文学作为一种表现元现实的方式:在通往新世界观的道路上
元文学现象是创造性写作和艺术创作中固有的一种自我反思的表现。元文学现象反映了20世纪文学发展的基本规律,在现代主义向后现代主义过渡的语境中具有特殊的意义。需要指出的是,艺术与现实关系的问题是与现代主义文学的形成和发展联系在一起的,所有最重要的作品都以这样或那样的方式参与了更新艺术解决这一问题的向量。分析了现代主义文学的审美特征、思想特征和诗学特征,论证了现代主义作品的内容范围在对艺术与现实关系问题的解释中所经历的转变,并确定了它们的诗学基础。强调通过对文学现象的艺术探索,元文学在其各种表现形式中开辟了对现实的新视野,使其理解得以扩展和深化。通过论证需要在存在经验的框架内体验文学,从而消除存在的艺术维度和现实维度之间的界限(“现实生活就是文学”,按照普鲁斯特的说法),现代主义者接近了哲学解释学的观点。现代主义文艺话语的再神话化,也可以理解为在宗教意识危机的情况下,需要将艺术意义与存在意义联系起来,寻找识别和合法化艺术意义的新途径。在重新神话化的过程中,古代元形象与圣经-基督教元形象结合的新形态,决定了新的世界观和人的概念的建构,保证了对现实的多面性认识的实现。将书的代谢意象引入后现代文学作品,是现代主义发现的元现实的一种艺术表现。
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