THE CONSTRUCTION OF A THINKING WOMAN IN PERSUASION

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Abstract

‘Thinking woman’ as an accepted reality came into the society with the rise of Feminism back in 1848. Accepting and practising the act of giving a woman her rightful identity as an individual who can speak, think, and feel for herself became a persisting challenge even in the present time. Renaissance saw changes that were never thought of before. When it came to giving a separate, individual identity to a woman, literature and reality came into loggerheads. Classic pioneering women authors like Jane Austen, Charlotte Bronte, Emily Bronte, Marry Shelley, Louisa May Alcott, Virginia Woolf, and many more represented a side of women that the classic male writers were unsure of representing. With these women writers portraying an unkempt and raw beauty of women, came the wave of need for identity for women. Here, with special focus on Jane Austen’s novel Persuasion, we see the growth of woman who is not merely a responsibility of the man, but rather a thinking and feeling individual. Anne Elliot, unlike Elizabeth Bennet, represents a unique style of how meekness is not a weakness rather it contains the strength of powerful observation and rational actions.
一个善于思考的女人在说服中的建构
随着1848年女权主义的兴起,“有思想的女人”作为一种公认的现实进入了社会。即使在今天,接受并实践赋予女性作为一个能够说话、思考和自己感受的个体的合法身份,也成为了一项持续的挑战。文艺复兴看到了以前从未想到的变化。在赋予女性独立、独立的身份时,文学和现实发生了冲突。像简·奥斯汀、夏洛特·勃朗特、艾米丽·勃朗特、玛丽·雪莱、路易莎·梅·奥尔科特、弗吉尼亚·伍尔夫这样的经典先锋女性作家,以及更多的女性作家,都代表了经典男性作家不确定能代表的女性的一面。随着这些女性作家描绘出凌乱而原始的女性之美,女性身份需求的浪潮随之而来。在这里,我们特别关注简·奥斯汀的小说《劝导》,我们看到女人的成长不仅仅是男人的责任,而是一个有思想和感情的个体。与伊丽莎白·班纳特不同,安妮·艾略特代表了一种独特的风格,即温顺不是一种弱点,而是包含了强有力的观察和理性行动的力量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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