Albanian Communist Prisons and the Will to Survive, as Narrated in the Documentary Novel “Live Only to Tell”, By Father Zef Pllumi

Eljon Doçe, Erenestina Gjergji Halili
{"title":"Albanian Communist Prisons and the Will to Survive, as Narrated in the Documentary Novel “Live Only to Tell”, By Father Zef Pllumi","authors":"Eljon Doçe, Erenestina Gjergji Halili","doi":"10.33422/ntss.2019.08.490","DOIUrl":null,"url":null,"abstract":"“To those who died as humans, to those who stood as humans during those hard times where the humans were transformed into working animals” Father Zef Pllumi, \"Live only to tell\" Soon after the fall of communism in Albania, the Albanians, especially those who were subjected to the immense violence and oppression from that political system, felt the urge to tell their stories. For some of them, that wasn’t just something that was done because they wanted to be famous or important in the eyes of the world, but they wanted to inform everyone on what really happened during that dark period of Albania’s history. On the other hand this was also a way to confront themselves with their sad past as a need they had to survive again in the new reality after the communism collapsed. Religion was severely attacked during Albanian communism. In 1967 Albanian communist regime proclaimed Albania as an “atheist state” and everyone who was part of religious institutions had only two choices: that person either had to abandon his faith and in as lot of cases he had to do this disconnection with his religion in public, as an propagandistic way to make the others, either his colleagues or the believers, to follow his example and this was somehow the “easy” way; or he could choose to face the situation, to not accept to do this forced choice and this would mean only one thing: the beginning of living a hell on earth until their last breath. This choice would mean imprisonment, physical and psychological tortures beyond imagination and total deprivation from the basic human rights. Living in those extreme conditions gives us the “perfect” example of the literal meaning of the word “survival” Father Zef Pllumi, is one of the few priests who managed to stay alive for about three decades in different prisons around Albania. He was convicted as a political prisoner with the only “fault” that he was a priest and that he didn’t admitted to abandon his devotion to God. After spending more than a quarter of a century in Albanian communist prisons he was released in 1990, at the time when the regime was falling apart. In 1995 was published the first part of his trilogy “Live only to tell”, by Father Zef Pllumi, which was one of the few survivors of the communist prisons and one of the most important intellectuals who brought maybe the most complete data that Albanian history has in the respect of communist period. This type of history we are talking about is not an academic history, it is the narration of a personal story, it is the story of Father Zef Pllumi itself and at the same time it is the story of all those people who refused to submit their freedom of thinking and being different to the regime. This book is a personal testimony as well as a collective testimony of the people who were imprisoned, also it is the story of all the other Albanians who maybe were not in an penitentiary institution called prison but, in fact, they were also deprived from a lot of basic rights and they just had the illusion of being free while they were actually living in a larger scale prison called Albania. “Live only to tell” (In Albanian “Rrno vetëm për me tregue”) is written in a documentary novel style which means that in one hand this work can be read as a factual history book and on the other hand, without losing the dimension of the historical truth, the experience of reading this type of history is not the same as reading just a bunch of facts, dates, names or events. This special type of prose offers to the reader the emotional feeling of reading a fictional book but with real facts and episodes. Despite the title of the book, Father Zef Pllumi did not wanted “only to tell” what happened in communism but in this novel. He also wants to narrate everything in a way so it can’t be forgotten from the reader and this is why his history is a personal history, full of emotions and not only an assemblage of cold historical facts. Probably Father Zef Pllumi would not have been the one we know today from the testimony that he has left behind, if he had not been so strongly tested through his long years of prison. Evidently, the deep spiritual peace and the great lucidity of reasoning which is felt while reading \"Live only to tell\" would have never been the same unless he was tested through the fire of suffering. Dante Alighieri had to go down to Hell prior to go to Paradise and Odysseus had to fight with the monsters before he could to return at his home, in Ithaca. It seems that there is an universal paradigm in the way things work: there is no easy way out to find the real self and in some cases this way is very hard to be undertaken, but it is the only way. Father Zef Pllumi made the decision and chose, with his free will, to make the same Dantesque journey through the communist prisons, from an horror to another horror, year after year, until one day he had the opportunity to write his memories an whole the experience he had and to share it with the others so everyone could understand what Albanian communism really was. However, his journey was not as parabolic as that of Dante or as fabulous as that of Odysseus. Father Zef Pllumi made a journey of flesh and blood, through a terrestrial hell, filled with horrors no less shocking than the Dante’s or Homeric scenes. Today we can also see this Franciscan priest journey, who was blamelessly sentenced (same like Jesus Christ) as an allegory, same like the allegories of Dante and Homer: as the allegory of seeking a new “Paradise” or a new “Itaca”, in other words, seeking the personal spiritual peace and the fulfillment of his religious tasks In this particular type of prose, the place that almost the whole story talks about, in the majority part of the novel, is the space of communist prisons. On the other hand, within this place, in the conditions of the violence and the extreme oppression of the fundamental human rights, Father Zef Pllumi creates, however, an inner dimension of freedom, which is a state of mind of considering somehow being free and creating this new reality inside the cells of the prison. Through this way of thinking he proves exactly the idea that freedom to exist and to think is an indestructible personal right and that it cannot be annihilated even through limitations, constraints or even physical violence. The survival of Father Zef Pllumi is not limited only in the physical survival because if it was just that, he would not made the choice to pursue his religious and spiritual vocation when he had obvious consequences for this choice . He understands survival as an effort and resistance of being free. Despite appearing as a tale that speaks about prison, no matter how paradoxical it may seem, \"Live only to tell\" actually talks about freedom. In all the meanings of the word \"prison\" there is not a single connotation that gives a positive feeling, but if we read this book with the right attention \"Live only to tell\", we would see that Father Zef Pllumi is spiritually a completely free man. He lives out of the physical situation where he is and in his mind he tries to create small pieces of freedom to survive. For example, we can se these little spaces of freedom when he tries to create a garden of flowers in the prison camp; when he becomes friends with a toad that he takes care of it every day to feed him and shed tears when he learns that the toad has been poisoned during a disinfection process in the prison; when the cats return to the beloved friends of the inmates and when the presence of the mice’s is not as terrible when as you are in the isolation room and when only the presence of another living being keeps alive the hope that you will survive another day. Father Zef Pllumi has an impressive desire to create, no matter what. He wants to create even in the conditions when he faces with infectious diseases or epidemics that were present in the prison camp and when the prisoners use to die every day; he wants to create despite of gangrenous wounds, malnutrition, worms infected water which should be drunk when the thirst could cause death from the dehydration. The immense joy that he has when he had to fix an old writing machine, to build tools, or the desire to make new friends in any prison where he went, was certainly a form of physical survival and a way to maintain the mental balance that, in that situation, was a nearly impossible mission. Father Zef Pllumi creates a new “place” to set his existence to escape from that physical state which he could not change. This new reality is in its mental state which rejects what is happening. This might be exactly the case that supports the concept that there is no really an “objective” reality and that everything is a matter of perception and choice. On the other hand, his steadfast resistance to faith makes him to see every moment of suffering as a new step that brings him closer to his Creator. In his mind and thoughts is clear the idea that the suffering of the flesh cannot destroy the human soul. He accepts to “hold his cross” and from this Christian perspective, of all the situations like being under physical tortures or mental pressure, are faced under this divine light, which enables the creation of this new spiritual level of existence that overcomes the physical one. In Matthew's Gospel (Matthew 4: 1-11), it is said that Jesus Christ was brought into the wilderness by the Holy Spirit himself to be tempted by the Devil by allowing him to fast for 40 days and that His human nature had Jesus was quite hungry. When the Devil saw this human weakness, the hunger, the pain of the flesh, thought to benefit to overcome Christ by remembering His omnipotent divine nature and telling him that Christ could easily turn stones into bread, but the Son of God and Man at the same time responds: It is written that man does not live only by bread but by every word that comes from God's mouth. (Matthew 4: 4, The Bible, New Testament) We believe th","PeriodicalId":193848,"journal":{"name":"Proceedings of The International Conference on New Trends in Social Sciences","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of The International Conference on New Trends in Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33422/ntss.2019.08.490","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

“To those who died as humans, to those who stood as humans during those hard times where the humans were transformed into working animals” Father Zef Pllumi, "Live only to tell" Soon after the fall of communism in Albania, the Albanians, especially those who were subjected to the immense violence and oppression from that political system, felt the urge to tell their stories. For some of them, that wasn’t just something that was done because they wanted to be famous or important in the eyes of the world, but they wanted to inform everyone on what really happened during that dark period of Albania’s history. On the other hand this was also a way to confront themselves with their sad past as a need they had to survive again in the new reality after the communism collapsed. Religion was severely attacked during Albanian communism. In 1967 Albanian communist regime proclaimed Albania as an “atheist state” and everyone who was part of religious institutions had only two choices: that person either had to abandon his faith and in as lot of cases he had to do this disconnection with his religion in public, as an propagandistic way to make the others, either his colleagues or the believers, to follow his example and this was somehow the “easy” way; or he could choose to face the situation, to not accept to do this forced choice and this would mean only one thing: the beginning of living a hell on earth until their last breath. This choice would mean imprisonment, physical and psychological tortures beyond imagination and total deprivation from the basic human rights. Living in those extreme conditions gives us the “perfect” example of the literal meaning of the word “survival” Father Zef Pllumi, is one of the few priests who managed to stay alive for about three decades in different prisons around Albania. He was convicted as a political prisoner with the only “fault” that he was a priest and that he didn’t admitted to abandon his devotion to God. After spending more than a quarter of a century in Albanian communist prisons he was released in 1990, at the time when the regime was falling apart. In 1995 was published the first part of his trilogy “Live only to tell”, by Father Zef Pllumi, which was one of the few survivors of the communist prisons and one of the most important intellectuals who brought maybe the most complete data that Albanian history has in the respect of communist period. This type of history we are talking about is not an academic history, it is the narration of a personal story, it is the story of Father Zef Pllumi itself and at the same time it is the story of all those people who refused to submit their freedom of thinking and being different to the regime. This book is a personal testimony as well as a collective testimony of the people who were imprisoned, also it is the story of all the other Albanians who maybe were not in an penitentiary institution called prison but, in fact, they were also deprived from a lot of basic rights and they just had the illusion of being free while they were actually living in a larger scale prison called Albania. “Live only to tell” (In Albanian “Rrno vetëm për me tregue”) is written in a documentary novel style which means that in one hand this work can be read as a factual history book and on the other hand, without losing the dimension of the historical truth, the experience of reading this type of history is not the same as reading just a bunch of facts, dates, names or events. This special type of prose offers to the reader the emotional feeling of reading a fictional book but with real facts and episodes. Despite the title of the book, Father Zef Pllumi did not wanted “only to tell” what happened in communism but in this novel. He also wants to narrate everything in a way so it can’t be forgotten from the reader and this is why his history is a personal history, full of emotions and not only an assemblage of cold historical facts. Probably Father Zef Pllumi would not have been the one we know today from the testimony that he has left behind, if he had not been so strongly tested through his long years of prison. Evidently, the deep spiritual peace and the great lucidity of reasoning which is felt while reading "Live only to tell" would have never been the same unless he was tested through the fire of suffering. Dante Alighieri had to go down to Hell prior to go to Paradise and Odysseus had to fight with the monsters before he could to return at his home, in Ithaca. It seems that there is an universal paradigm in the way things work: there is no easy way out to find the real self and in some cases this way is very hard to be undertaken, but it is the only way. Father Zef Pllumi made the decision and chose, with his free will, to make the same Dantesque journey through the communist prisons, from an horror to another horror, year after year, until one day he had the opportunity to write his memories an whole the experience he had and to share it with the others so everyone could understand what Albanian communism really was. However, his journey was not as parabolic as that of Dante or as fabulous as that of Odysseus. Father Zef Pllumi made a journey of flesh and blood, through a terrestrial hell, filled with horrors no less shocking than the Dante’s or Homeric scenes. Today we can also see this Franciscan priest journey, who was blamelessly sentenced (same like Jesus Christ) as an allegory, same like the allegories of Dante and Homer: as the allegory of seeking a new “Paradise” or a new “Itaca”, in other words, seeking the personal spiritual peace and the fulfillment of his religious tasks In this particular type of prose, the place that almost the whole story talks about, in the majority part of the novel, is the space of communist prisons. On the other hand, within this place, in the conditions of the violence and the extreme oppression of the fundamental human rights, Father Zef Pllumi creates, however, an inner dimension of freedom, which is a state of mind of considering somehow being free and creating this new reality inside the cells of the prison. Through this way of thinking he proves exactly the idea that freedom to exist and to think is an indestructible personal right and that it cannot be annihilated even through limitations, constraints or even physical violence. The survival of Father Zef Pllumi is not limited only in the physical survival because if it was just that, he would not made the choice to pursue his religious and spiritual vocation when he had obvious consequences for this choice . He understands survival as an effort and resistance of being free. Despite appearing as a tale that speaks about prison, no matter how paradoxical it may seem, "Live only to tell" actually talks about freedom. In all the meanings of the word "prison" there is not a single connotation that gives a positive feeling, but if we read this book with the right attention "Live only to tell", we would see that Father Zef Pllumi is spiritually a completely free man. He lives out of the physical situation where he is and in his mind he tries to create small pieces of freedom to survive. For example, we can se these little spaces of freedom when he tries to create a garden of flowers in the prison camp; when he becomes friends with a toad that he takes care of it every day to feed him and shed tears when he learns that the toad has been poisoned during a disinfection process in the prison; when the cats return to the beloved friends of the inmates and when the presence of the mice’s is not as terrible when as you are in the isolation room and when only the presence of another living being keeps alive the hope that you will survive another day. Father Zef Pllumi has an impressive desire to create, no matter what. He wants to create even in the conditions when he faces with infectious diseases or epidemics that were present in the prison camp and when the prisoners use to die every day; he wants to create despite of gangrenous wounds, malnutrition, worms infected water which should be drunk when the thirst could cause death from the dehydration. The immense joy that he has when he had to fix an old writing machine, to build tools, or the desire to make new friends in any prison where he went, was certainly a form of physical survival and a way to maintain the mental balance that, in that situation, was a nearly impossible mission. Father Zef Pllumi creates a new “place” to set his existence to escape from that physical state which he could not change. This new reality is in its mental state which rejects what is happening. This might be exactly the case that supports the concept that there is no really an “objective” reality and that everything is a matter of perception and choice. On the other hand, his steadfast resistance to faith makes him to see every moment of suffering as a new step that brings him closer to his Creator. In his mind and thoughts is clear the idea that the suffering of the flesh cannot destroy the human soul. He accepts to “hold his cross” and from this Christian perspective, of all the situations like being under physical tortures or mental pressure, are faced under this divine light, which enables the creation of this new spiritual level of existence that overcomes the physical one. In Matthew's Gospel (Matthew 4: 1-11), it is said that Jesus Christ was brought into the wilderness by the Holy Spirit himself to be tempted by the Devil by allowing him to fast for 40 days and that His human nature had Jesus was quite hungry. When the Devil saw this human weakness, the hunger, the pain of the flesh, thought to benefit to overcome Christ by remembering His omnipotent divine nature and telling him that Christ could easily turn stones into bread, but the Son of God and Man at the same time responds: It is written that man does not live only by bread but by every word that comes from God's mouth. (Matthew 4: 4, The Bible, New Testament) We believe th
阿尔巴尼亚共产主义监狱和生存的意志,正如泽夫·普鲁米神父在纪事小说《只为诉说而活》中叙述的那样
“致那些以人类身份死去的人,致那些在人类被转变为劳动动物的艰难时期以人类身份站起来的人”泽夫·普卢米神父,“活着只是为了讲述”阿尔巴尼亚共产主义垮台后不久,阿尔巴尼亚人,特别是那些遭受那个政治制度的巨大暴力和压迫的人,感到迫切需要讲述他们的故事。对他们中的一些人来说,这不仅仅是因为他们想在世界眼中出名或重要,而是他们想告诉大家在阿尔巴尼亚历史的黑暗时期到底发生了什么。另一方面,这也是他们面对悲惨过去的一种方式,因为他们必须在共产主义崩溃后的新现实中再次生存。阿尔巴尼亚共产主义时期,宗教受到严重打击。1967年阿尔巴尼亚共产党政权宣布阿尔巴尼亚为"无神论国家"每个宗教机构的成员只有两种选择要么放弃自己的信仰,在很多情况下,他必须在公共场合与自己的宗教断绝关系,作为一种宣传方式,让其他人,无论是他的同事还是信徒,都以他为榜样,这是一种"简单"的方式;或者他可以选择面对这种情况,不接受这种被迫的选择,这只意味着一件事:开始在地球上过地狱般的生活,直到最后一口气。这一选择将意味着监禁、难以想象的身心折磨和完全剥夺基本人权。Zef Pllumi神父是少数几位在阿尔巴尼亚各地不同监狱中活了大约30年的神父之一,他生活在这些极端的条件下,为我们提供了“生存”一词字面意义的“完美”例子。他被判为政治犯,唯一的“错误”是他是一名牧师,他不承认放弃对上帝的忠诚。在阿尔巴尼亚共产党的监狱里度过了四分之一个世纪之后,他于1990年被释放,当时该政权正在崩溃。1995年出版了他三部曲的第一部分“活着只为讲述”,作者是泽夫·普卢米神父,他是共产主义监狱中为数不多的幸存者之一,也是最重要的知识分子之一,他带来了阿尔巴尼亚历史上关于共产主义时期最完整的数据。我们谈论的这种类型的历史不是学术史,它是个人故事的叙述,它是泽夫·普卢米神父的故事,同时它也是所有那些拒绝放弃思想自由和与政权不同的人的故事。这本书是被监禁的人的个人证词和集体证词,也是所有其他阿尔巴尼亚人的故事,他们可能不在监狱里,但事实上,他们也被剥夺了很多基本权利,他们只是幻想着自由,而实际上他们住在一个更大的监狱里,叫做阿尔巴尼亚。“活着只是为了讲述”(在阿尔巴尼亚语中“Rrno vetëm për me tregue”)是以纪实小说的风格写成的,这意味着一方面这部作品可以作为一本真实的历史书来阅读,另一方面,在不失去历史真相维度的情况下,阅读这种类型的历史的体验与阅读一堆事实,日期,名字或事件是不一样的。这种特殊类型的散文为读者提供了一种阅读虚构书籍的情感感受,但却有真实的事实和情节。尽管书名如此,泽夫·普卢米神父并不想“只讲述”共产主义国家发生的事情,而是想在这本小说中讲述。他还想用一种读者不会忘记的方式来叙述每一件事,这就是为什么他的历史是一部充满情感的个人历史,而不仅仅是冷酷的历史事实的集合。如果泽夫·普卢米神父没有在漫长的监狱岁月中受到如此强烈的考验,他留下的证词可能不会是我们今天所知道的那个人。显然,读《只为诉说而活》时所感受到的深刻的精神平静和推理的巨大清晰度,除非他经受过苦难的考验,否则是永远不会一样的。但丁在去天堂之前必须先下地狱,奥德修斯在回到他在伊萨卡岛的家之前必须和怪物战斗。事情的运作方式似乎有一个普遍的范例:没有简单的方法可以找到真正的自我,在某些情况下,这种方法很难采取,但它是唯一的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信