Cross-cultural cooperation in The Netherlands: A Damoclian sword

Cornelis Heijes
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Abstract

The paper studies cross-cultural cooperation between black Curacaoans and white Dutch in the Netherlands. It shows that while respondents share the same cultural characteristics, the way they handle these and the way they value both their own traits and those of the other group differ with the specific context in which cooperation takes place. Culture is shown to be a more flexible and dynamic concept than is commonly used in the more static approach of standardized, universalistic cultural differences, which still prevail in management thinking on cross-cultural cooperation. "All the world"s a stage, and all the men and women merely players. They have their exits and their entrances, and one man in his time plays many parts." (Shakespeare 1598: 42)
荷兰的跨文化合作:达摩克利斯之剑
本文研究了库拉索黑人与荷兰白人之间的跨文化合作。它表明,虽然受访者具有相同的文化特征,但他们处理这些特征的方式以及他们重视自己和其他群体特征的方式随着合作发生的具体背景而不同。文化被证明是一个更灵活和动态的概念,而不是通常使用的标准化的、普遍的文化差异的更静态的方法,这在跨文化合作的管理思想中仍然盛行。“整个世界是一个舞台,所有的男男女女都只是演员。”他们有退路也有来路,一个人在一生中扮演着许多角色。”(莎士比亚1598:42)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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