Tradition versus change in a time of pandemic

Purity Wanja, A. Wanjala, Jeniffer Muchiri
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Abstract

This paper explores the varied and complex ways in which allegiance to traditional beliefs and practices impacts a peoples’ health in time of pandemic. Using Meja Mwangi’s The Last Plague as a launching pad, I seek to examine the role of literature in creating awareness during moments of crisis within a society. This paper narrows down to the complexities and contradictions that come into play in the confrontation between indigenous African traditions and the H.I.V A.I.D.S pandemic as portrayed in Meja Mwangi’s novel, The Last Plague. The paper draws from the sociological literary theory and especially the views of Ngugi wa Thiong’o on the relationship between literature and society. On one hand the paper engages with how the author portrays the impact of the plague on the socio-cultural norms, while on the other hand it addresses the inflexibility of the traditions and cultural beliefs and practices as an impediment to the struggle against the spread of the HI.V pandemic as presented in the novel.
大流行时期的传统与变革
本文探讨了对传统信仰和习俗的忠诚在大流行时期影响人们健康的各种复杂方式。以Meja Mwangi的《最后的瘟疫》为出发点,我试图审视文学在社会危机时刻创造意识方面的作用。本文聚焦于梅贾·姆旺吉的小说《最后的瘟疫》中所描绘的非洲土著传统与艾滋病大流行之间的对抗所产生的复杂性和矛盾性。本文借鉴了社会学文学理论,特别是古吉·瓦·廷奥关于文学与社会关系的观点。一方面,论文涉及作者如何描绘瘟疫对社会文化规范的影响,而另一方面,它解决了传统和文化信仰和习俗的僵化,这是反对艾滋病传播斗争的障碍。就像小说中描述的那样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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