Chance, Time and Virtue

R. Wittkower
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引用次数: 15

Abstract

For the Greeks of the Golden Age, Time was a series of propitious moments -and as such could be represented in the figure of the god Kairos. People who thought less metaphorically than the Greeks of the classical age conceived Time as an abstract sequence: in the late Hellenistic period Kairos assumes the sense of xp6voC.1 The original god Kairos lives on as e6xaXplPxE, a notion which signifies one propitious moment in a lapse of time. The Byzantine sources of the twelfth and thirteenth centuries, Tzetzes, Nikephoros and others,2 therefore describe Lysippos' lost statue of 'Kairos' as 'Chronos.' Even Erasmus still translates Kairos as 'Tempus.' 3 It appears that Cicero was the first to define clearly the relation between xaxp6c-tempus and eboxaplE-occasio. He says: "Occasio est pars temporis, habens in se alicuius rei idoneam faciendi aut non faciendi opportunitatem .. ." 4 Thus, a differentiation between the two notions of time is introduced, which stresses the inter-relation of both in its positive as well as in its negative sense. A pictorial formula for this distinction hardly appears before the sixteenth century 5 and was never more drastically applied than in the engravings which accompany the work of the Jesuit Joannes David, published as late as I605.6 As in many Jesuit tracts the pictures are literal illustrations of the text. Each of the twelve chapters is accompanied by an engraving of Theodor Galle, which supplies a visual demonstration
机会、时间和美德
对于黄金时代的希腊人来说,时间是一系列吉祥的时刻——因此可以用凯洛斯神的形象来代表。与古典时代的希腊人相比,思考较少隐喻的人将时间视为抽象的序列:在希腊化后期,Kairos具有xp6voC.1的意义最初的神凯洛斯以e6xaXplPxE的名字继续存在,这个概念象征着时间流逝中一个吉祥的时刻。因此,在十二世纪和十三世纪的拜占庭文献中,Tzetzes、Nikephoros和其他人将Lysippos丢失的“Kairos”雕像描述为“Chronos”。即使是伊拉斯谟仍然把Kairos翻译成“时间”。看来西塞罗是第一个明确地定义了“时间”和“场合”之间关系的人。他说:“偶然的时间,偶然的时间,偶然的时间,偶然的时间,偶然的时间,偶然的时间,偶然的时间……”因此,引入了两种时间概念之间的区别,强调两者在积极意义和消极意义上的相互关系。在16世纪之前,几乎没有出现过这种区分的图形公式,而且在耶稣会士Joannes David的作品的版画中得到了最彻底的应用,这些版画直到1960年才出版。在许多耶稣会小册子中,图片是文字的文字插图。十二章中的每一章都附有西奥多·加勒的雕刻,这提供了一个视觉演示
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