Hermes/Mercury

Erin K. Moodie
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Abstract

Hermes/Mercury should be understood as the physical manifestation and divine patron of comedy. The chapter focuses on the portrayal of Hermes in Aristophanes’ Peace and that of Mercury in Plautus’ Amphitryon, and traces each character’s adoption of the abject stance associated with comic heroes, his knowledge of comic conventions, and his general metatheatrical remarks to and about the audience. The god’s association with laughter, performance, and marriage throughout myth, as well as his connection to Dionysus in Athenian religious festivals, further supports his identification as the god of comedy.
爱马仕/汞
赫尔墨斯/墨丘利应该被理解为喜剧的物理表现和神圣守护神。这一章的重点是阿里斯托芬的《和平》中的赫尔墨斯和普劳图斯的《安菲特翁》中的墨丘利的形象,并追溯了每个角色与喜剧英雄相关的卑鄙立场,他对喜剧惯例的了解,以及他对观众和对观众的一般元戏剧评论。在整个神话中,这位神与笑声、表演和婚姻有关,以及他与雅典宗教节日中的狄俄尼索斯的联系,进一步支持了他作为喜剧之神的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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