Leopardi

Evil Pub Date : 2019-05-23 DOI:10.1017/chol9780521434928.031
Silvia de Toffoli
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引用次数: 2

Abstract

Giacomo Leopardi, a major Italian poet of the nineteenth century, was also an expert in evil to whom Schopenhauer referred as a “spiritual brother.” Leopardi wrote: “Everything is evil. That is to say, everything that is, is evil; that each thing exists is an evil; each thing exists only for an evil end; existence is an evil.” These and other thoughts are collected in the Zibaldone, a massive collage of heterogeneous writings published posthumously. Leopardi’s pessimism assumes a polished form in his literary writings, such as Dialogue between Nature and an Islander (1824)—an invective against nature and the suffering of creatures within it. In his last lyric, Broom, or the flower of the desert (1836), Leopardi points to the redeeming power of poetry and to human solidarity as placing at least temporary limits on the scope of evil.
19世纪意大利主要诗人贾科莫·利奥帕尔迪(Giacomo Leopardi)也是研究邪恶的专家,叔本华称他为“精神上的兄弟”。利奥帕尔迪写道:“一切都是邪恶的。也就是说,一切存在的东西都是恶的;每一事物的存在都是一种恶;任何事物的存在都只有一个邪恶的目的;存在是一种罪恶。”这些和其他的思想都被收录在Zibaldone中,这是一本大量的拼贴书,收录了各种各样的作者在死后发表的作品。利奥帕尔迪的悲观主义在他的文学作品中呈现出一种优美的形式,比如《自然与一个岛民的对话》(1824)——对自然和其中生物的痛苦的谩骂。在他的最后一首抒情诗《扫帚,或沙漠之花》(1836)中,利奥帕尔迪指出诗歌的救赎力量和人类的团结至少暂时限制了邪恶的范围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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