Femme-Castratrice in Si Manis Jembatan Ancol (2019)

Natashi Gracia Ireneke
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引用次数: 0

Abstract

This thesis aims to know how the lead female character in Si Manis Jembatan Ancol (2019) fulfills the characteristics of a femme-castratrice and also to see the result that the lead character gets after she transforms into a female monster. To address the questions, I will use the monstrous-feminine theory as the main theory to be applied to Maryam as a victim of gender-based violence. From this theory, I want to show that the transformation of a femme-castratrice may occur by symbolic and literal castration. The symbolic castration means that the victim is castrated emotionally, whereas the literal castration means that the victim is physically abused. I connected the analysis with the abjection theory to show the result and resolution once the main female character is fully transformed into a femme-castratrice, which is a total banishment from the disturbed society, in a form of annihilation. In the end, it can be concluded that a femme-castratrice in Si Manis Jembatan Ancol (2019) is considered an ambiguous character.
在甜蜜的安可桥上进行femme castrace in the sweet bridge Ancol (2019)
本文旨在了解《Si Manis Jembatan Ancol》(2019)中的女主角是如何实现女性阉割的特征,以及女主角变成女怪物后的结果。为了解决这些问题,我将使用怪物女性理论作为主要理论,应用于作为性别暴力受害者的玛丽亚姆。从这一理论出发,我想表明女性阉割的转变可能通过象征性和字面上的阉割发生。象征性的阉割意味着受害者在情感上被阉割,而字面上的阉割意味着受害者在身体上受到虐待。我将这种分析与落魄理论联系起来,以显示当主要女性角色完全转变为女性阉割后的结果和解决方案,即以一种湮灭的形式从混乱的社会中完全驱逐出去。最后,可以得出的结论是,《Si Manis Jembatan Ancol》(2019)中的女性阉割被认为是一个模棱两可的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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