{"title":"Lois Patiño","authors":"Scott Macdonald","doi":"10.1093/oso/9780190052126.003.0010","DOIUrl":null,"url":null,"abstract":"This is the first extensive, career interview in English with Lois Patiño. After several years making films and installation work about mental illness and the moment of death, Patiño found his métier as a landscape artist, focusing on landscape as a spiritual entity. Patiño works in the tradition of place-oriented cinema pioneered by Larry Gottheim, James Benning, Sharon Lockhart, and Peter Hutton. In Patiño’s films human beings are seen as parts of the landscape, sometimes in a more literal sense, as in Costa da morte (2013) his feature about the Galician coast of Spain, and at other times in more mythic senses. Patiño’s films are stunningly beautiful and demonstrate that digital filmmaking can compete with even the most visually remarkable celluloid works.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"27 6","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Sublimity of Document","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190052126.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This is the first extensive, career interview in English with Lois Patiño. After several years making films and installation work about mental illness and the moment of death, Patiño found his métier as a landscape artist, focusing on landscape as a spiritual entity. Patiño works in the tradition of place-oriented cinema pioneered by Larry Gottheim, James Benning, Sharon Lockhart, and Peter Hutton. In Patiño’s films human beings are seen as parts of the landscape, sometimes in a more literal sense, as in Costa da morte (2013) his feature about the Galician coast of Spain, and at other times in more mythic senses. Patiño’s films are stunningly beautiful and demonstrate that digital filmmaking can compete with even the most visually remarkable celluloid works.
这是Lois Patiño第一次广泛的职业英语面试。在制作了数年关于精神疾病和死亡时刻的电影和装置作品后,Patiño找到了自己作为景观艺术家的职业,专注于将景观作为一种精神实体。Patiño秉承了拉里·戈特海姆、詹姆斯·本宁、莎伦·洛克哈特和彼得·赫顿开创的以地点为导向的电影传统。在Patiño的电影中,人类被视为景观的一部分,有时是在更真实的意义上,比如他在2013年拍摄的关于西班牙加利西亚海岸的电影《死亡海岸》(Costa da morte),有时则是在更神话的意义上。Patiño的电影是惊人的美丽,并证明数字电影制作甚至可以与视觉上最出色的赛璐珞作品竞争。