Unknown drawings of archaeological objects from the collection of D.G. Messerschmidt in the engravings of the «Atlas» by N.G. Le Clerc

N. Kopaneva
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Abstract

The article analyzes 4 engravings with two tables on each print from the so-called “Atlas” by N. G. Le Сlerc with drawings of archaeological objects from the documentary heritage of D.G. Messerschmidt, which have been considered unknown so far. “Atlas” is an appendix to the work of N. G. Le Clerc “Histoire physique, morale, civile et politique de la Russie modern”. Based on a comparison of one of the survived drawings with an engraving from the “Atlas”, and a comparison with of descriptions of the drawings given in the manuscript of D.G. Messerschmidt with those in the engraved tables in the third volume of Le Clerc’s book “Histoire… de la Russie modern” it can be argued that the engraved drawings belonged to one of the volumes of the archival collection of D.G. Messerschmidt. A comprehensive study of this visual source in combination with already known drawings, and other sources (“The Painted Museum of the St. Petersburg Academy of Sciences”, published and handwritten catalogs of the Kunstkamera) will allow us to give a scientific description of the archaeological collection, determine its place in the collection of the Kunstkamera, which is important for the history of archeology and history of the Kunstkamera of the 18th century, when the base of scientific knowledge was being formed.
从D.G.梅塞施密特收藏的考古物品的未知图纸,由N.G. Le Clerc雕刻的“阿特拉斯”
本文分析了N. G. Le Сlerc所谓的“地图集”中的4幅版画,每张版画上都有两个表格,其中有D.G. Messerschmidt的文献遗产中的考古物品的图画,迄今为止被认为是未知的。《地图集》是法国作家勒克莱尔的著作《俄罗斯现代史、体质、士气、公民和政治》的附录。通过将其中一幅幸存的图纸与《阿特拉斯》中的一幅雕刻进行比较,并将D.G.梅塞施密特手稿中对图纸的描述与Le Clerc的书《Histoire…de la Russie modern》第三卷中雕刻表格中的描述进行比较,可以认为这些雕刻图纸属于D.G.梅塞施密特档案收藏的其中一卷。结合已知的图纸和其他来源(“圣彼得堡科学院的绘画博物馆”,出版和手写的Kunstkamera目录),对这一视觉来源进行全面研究,将使我们能够对考古收藏进行科学描述,确定其在Kunstkamera收藏中的位置,这对考古学的历史和18世纪的Kunstkamera的历史很重要。当科学知识的基础正在形成时。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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