«Physicists» or «lyricists»?: display of the discussion of the 1960s. in the Soviet caricature

Gela Oksana
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Abstract

The article analyzes the perception of «the discussion of physicists and lyricists» through the prism of the Soviet caricature in the 1960's of the XX-th century. It has been revealed that the caricatures matched to the social and cultural context, reflected the all-Union «discussion of physicists and lyricists». The author approves that the «lyricists» were the object of ridicule, while the «physicists» represented the ideal model of the scientist. It was concluded that the journal’s satire was directed not against the Soviet system, science or art, within «physicists» and «lyricists» should work, but against the specific shortcomings of their activities. «Discussion of physicists and lyricists», which began in the early 1960's was intended to find out which kind of the intelligentsia is more important not only in the context of socio-political, but also in scientific and cultural aspects. The choice of the source is due to the research problem. The «Krokodil», as the most popular and the only all-Union satirical magazine, had a significant impact on the contemporary society. Satirical periodicals were a special kind of Soviet humor, on the one hand, very popular among the population, and on the other hand – strictly controlled by the authorities. The «Krokodil» magazine was included to the forum for discussions, published the images produced by society, which made the readers aware of stereotypes familiar to them, raising their mood. «Krokodil» editors also had the opportunity to engage in discussions from the side of «lyricists», but the subordinate nature of the journal and the humanitarian environment (due to which problems and disadvantages were seen by each other) influenced their choice. It was found that numerically there were more «lyrical» characters, while «physicists» often served as an example for humanities.
“物理学家”还是“词作者”?展示20世纪60年代的讨论。在苏联的漫画中
本文通过20世纪60年代苏联漫画的棱镜,分析了对“物理学家和词作者的讨论”的看法。据透露,这些漫画符合社会和文化背景,反映了全联盟“物理学家和词作者的讨论”。作者认为“词作者”是被嘲笑的对象,而“物理学家”代表了科学家的理想模式。结论是,该杂志的讽刺不是针对苏联的制度、科学或艺术,在“物理学家”和“词作者”应该工作的范围内,而是针对他们活动的具体缺点。“关于物理学家和词作者的讨论”始于20世纪60年代初,目的是找出哪一种知识分子不仅在社会政治背景下更重要,而且在科学和文化方面也更重要。来源的选择是由于研究的问题。《Krokodil》作为当时最受欢迎和唯一的全英讽刺杂志,对当时社会产生了重大影响。讽刺期刊是一种特殊的苏联幽默,一方面在民众中很受欢迎,另一方面又受到当局的严格控制。《Krokodil》杂志被纳入讨论论坛,发表了社会产生的图像,使读者意识到他们熟悉的刻板印象,提高了他们的情绪。《Krokodil》的编辑也有机会从“词作者”的角度参与讨论,但期刊的从属性质和人道主义环境(由于彼此看到的问题和缺点)影响了他们的选择。研究发现,在数字上有更多的“抒情”人物,而“物理学家”往往作为人文学科的一个例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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