Ekphrasis

M. Ludlow
{"title":"Ekphrasis","authors":"M. Ludlow","doi":"10.1093/oso/9780198848837.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter examines the literary technique of ekphrasis, defining it in terms of its intended effect on the audience: the vivid representation of an image to the mind’s eye, so as to evoke an emotional or other response. Ekphrasis makes an object appear present to an audience; it can be rich in detail or deftly brief. Both modes engage the audience in the imaginative recreation of the object, person or scene in their mind. This chapter also examines other aspects of crafting a text using ekphrasis: order, variety, and reading objects as texts. It argues that ekphrasis prompts questions about the thing described: Who is the maker? Who is the observer? And why is it absent?","PeriodicalId":161713,"journal":{"name":"Art, Craft, and Theology in Fourth-Century Christian Authors","volume":"98 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art, Craft, and Theology in Fourth-Century Christian Authors","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198848837.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

This chapter examines the literary technique of ekphrasis, defining it in terms of its intended effect on the audience: the vivid representation of an image to the mind’s eye, so as to evoke an emotional or other response. Ekphrasis makes an object appear present to an audience; it can be rich in detail or deftly brief. Both modes engage the audience in the imaginative recreation of the object, person or scene in their mind. This chapter also examines other aspects of crafting a text using ekphrasis: order, variety, and reading objects as texts. It argues that ekphrasis prompts questions about the thing described: Who is the maker? Who is the observer? And why is it absent?
本章考察了短语的文学技巧,并根据其对观众的预期效果对其进行了定义:在心灵的眼睛中生动地呈现图像,从而唤起情感或其他反应。Ekphrasis使一个物体呈现在观众面前;它可以是丰富的细节或巧妙的简短。这两种模式都能让观众在脑海中对物体、人物或场景进行想象性的再创造。本章还考察了使用短语制作文本的其他方面:顺序、多样性和作为文本阅读对象。它认为,外来语会让人对所描述的事物产生疑问:谁是制造者?谁是观察者?为什么没有呢?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信