Time Mirroring as a Character Creation Model of I. Nechuy-Levytsky’s novel “An Impudent Fellow” (“Prychepa”)

T. Matvieieva
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Abstract

The paper defines the time phenomena of I. Nechuy-Levytsky's novel “An Impudent Fellow” (Prychepa) as character creation one. The fact that our predecessors did not specifically consider the topic determines the purpose, objectives and relevance of the work proposed. We have identified and analyzed time paradoxes as gradational chain from chrono-discreteness to timelessness, defining their folklore-ethnographic (cultural), psychogenetic (biological), actually artistic (poetic) genesis. It is proved that the main means of embodiment of processuality is retrospectiveness, by means of which the author substantiates the stages of formation of the characters’ behavioural model in the conditions of social deadaptation, undermining of mental signs. The semantic correlates of the novel are analysed, which allowed the conclusion about the rupture of time planes, expressed by oxymoron: negative family deformations in the past turned into character creation amorphousness in the present and, accordingly, zero future due to spiritual and physical death of degraded descendants. A separate aspect of our interests is a contextual one, as the main problematic components of the studied work – depersonalization, denationalization, family deformations are central in the work of I. Nechuy-Levytsky and in the works of his contemporaries, in particular O. Kobylyanska, M. Kropyvnytsky, Panas Myrny and I. Bilyk, I. Tobilevych, I. Franko. The fate – the folklore equivalent of life way, which objectifies the certainty, the given; the mental personality of a human – was called the cause of the problems that is actually an individual, subjective determinant of the nature, which is formed by biogenetic and psychosomatic qualities. Such motivation for the emergence of internal and external conflicts made the characters full and the development of events convincing, because the writers synthesized the individual and the general, the personal and the collective, justifying the fatal dependence on the material things. The conclusion is clear: man is doomed to live in suffering as long as they serve the material things, thereby killing the Divine in themselves. Thus, both the actual psychological equivalents of these processes, primarily oneiric, and philosophical, related to biblical symbolism, were highlighted. The conclusion about the importance of studying time phenomena for the analysis of character modifications is made.
时间镜像:内丘伊-列维茨基小说《无耻之徒》的人物塑造模式
本文将内丘伊-列维茨基小说《无耻之徒》中的时间现象定义为人物创作现象。我们的前辈没有具体考虑这个主题,这一事实决定了所提出工作的目的、目标和相关性。我们已经确定并分析了时间悖论作为从时间离散到永恒的阶梯链,定义了它们的民俗-民族志(文化),心理遗传(生物),实际上是艺术(诗歌)起源。论证了过程性体现的主要手段是回溯性,作者通过回溯性来充实人物在社会失适应、心理符号破坏条件下行为模式的形成阶段。通过对小说语义关联的分析,得出了时间平面断裂的结论,以矛盾修饰法的形式表现为:由于堕落的后代的精神和肉体的死亡,过去的消极的家庭变形变成了现在的人物塑造的不定性,从而导致了未来的零。我们感兴趣的另一个方面是语境,因为所研究作品的主要问题组成部分——去人格化、非国家化、家庭变形是I.内丘伊-列维茨基及其同时代人的作品的核心,尤其是O.科比良斯卡、M.克罗皮夫尼茨基、帕纳斯·米尔尼和I.比利克、I.托比列维奇、I.弗兰科。命运——民间传说中生活方式的等效物,它将确定性、既定的物化;一个人的精神人格-被称为问题的原因,实际上是一个个体的,主观的决定因素的性质,这是由生物遗传和心身素质形成的。这种内在与外在冲突产生的动机使得人物形象丰满,事件的发展令人信服,因为作者将个人与一般、个人与集体综合起来,证明了对物质的致命依赖。结论是明确的:人注定要生活在痛苦中,只要他们服务于物质的东西,从而杀死自己内在的神性。因此,这些过程的实际心理对等物,主要是梦境,和哲学,与圣经象征有关,都被强调了。最后总结了研究时间现象对字符修改分析的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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