The Peculiarities of the Objects of Medieval Architectonic Plastic Arts from the Fortress of Anacopia in the Universal Cultural Context of the Crimea and North Caucasus

Alkhas Argun
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Abstract

The performed research aims at revealing the functional use and initial location of a part of the objects of architectonic plastic arts, most of which decorated the early medieval Christian structures in the fortress complex of Anacopia, and also at revealing historic and cultural links with the neighboring regions of the Byzantine Oecumene: North Caucasus and the Crimea. In the first half of the 10th century the temple was reconstructed due to the new liturgical rules, accepted in Constantinople in the 9th century. It was still devoted to Our Lady, but during the reconstruction appear new facade finish, a par of which is preserved in two entrance portals. After the reconstruction also appeared a dome and a dome drum, and, according to the new features of liturgy which appeared in the Byzantine Empire at the end of the 9th century. The appearance of ornamental intertwined designs near the borders of the kingdom of Abkhazia shows that Abkhazian kings took part in the Christianisation of Alania. Technical similarity is a proof of the existence in the 10th century of a system of united cultural space included into the
从克里米亚和北高加索普遍文化背景下的阿那科亚要塞看中世纪建筑造型艺术对象的独特性
所进行的研究旨在揭示建筑造型艺术的一部分对象的功能使用和初始位置,其中大部分装饰了Anacopia要塞建筑群中的早期中世纪基督教结构,同时也揭示了与拜占庭帝国邻近地区的历史和文化联系:北高加索和克里米亚。在10世纪上半叶,由于9世纪君士坦丁堡接受了新的礼仪规则,这座寺庙被重建。它仍然是献给圣母的,但在重建期间出现了新的立面,其中一部分保留在两个入口入口处。重建后还出现了圆顶和圆顶鼓,根据9世纪末拜占庭帝国出现的礼拜仪式的新特点。在阿布哈兹王国边界附近出现的装饰性交织图案表明,阿布哈兹国王参与了阿拉尼亚的基督教化。技术上的相似性证明了在10世纪存在着一种统一的文化空间体系
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