The Collective Workshopping of Our Emerging Global Citizenship in Transcultural Fusion Dance (TcFD)

Donna Mejia
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Abstract

Transcultural Fusion Dance (TcFD) is a global, hybrid genre that fuses dance traditions of North Africa and the Arab World with Hip Hop and Electronica. Starting in the 1990’s, TcFD participants utilized the genre to enact their enthusiasm for intercultural exchange, visual cultural mashup, and embodied exploration of global citizenship. The momentum shifted after being confronted with decolonization calls from BIPOC communities in the U.S.A., and is now collectively building ethical practices and interdisciplinary contextualization that also offers a critique of contemporary dance education for its sluggish awakening to decolonization. The author details the historical events that instigated a global decolonization conversation of TcFD practices, conventions, and language, and the unfolding evolution of Fair-Trade Cultural Exchange practices.
跨文化融合舞蹈中我们新兴的全球公民身份的集体研讨会(TcFD)
跨文化融合舞蹈(TcFD)是一种融合了北非和阿拉伯世界传统舞蹈与嘻哈和电子乐的全球性混合舞蹈类型。从20世纪90年代开始,TcFD参与者利用这一类型来表达他们对跨文化交流、视觉文化混搭和体现全球公民探索的热情。在面对美国BIPOC社区的非殖民化呼吁后,势头发生了变化,现在正在集体建立伦理实践和跨学科的语境化,也为当代舞蹈教育对非殖民化的缓慢觉醒提供了批评。作者详细介绍了推动TcFD实践、惯例和语言的全球非殖民化对话的历史事件,以及公平贸易文化交流实践的演变。
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