DISTRIBUTION AND IMPLEMENTATION OF SEMANTIC AND SYNTAX VALENCE VERBS IN MODERN FRENCH ARTISTIC TEXT

N. Filonenko
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Abstract

The paper examines the development of the theory of valence of the French verb from L. Tesnière to the present day, elucidates the relationship between distribution and valence, reveals the conditions for realizing potential valence in the context of modern French artistic prose works, elucidates characteristic syntactic constructions for the realization of non-valent, univalent, divalent, trivalent and tetravalent verbs. The purpose of the article is to outline the reasons and regularities of the decrease and increase in the valence of the French verb in the literary text. The material of the research is the syntactic constructions of nine novels by Goncourt laureates of the 21st century, which are reference texts of modern French literary prose. The applied structural research method determined the use of distributive and component analyses, as well as analysis by direct components. It was found that the potential valence established according to the distributional characteristics does not often coincide with the realized valence of the verb in a specific text. The realization of valence is also influenced by the author’s opinion, in particular, this is manifested in the use of agrammatic constructions and the occasional use of verbs, which is provoked by a violation of the distributional characteristics and potential valence of verbs in view of their semantics. The reduction of semantic-syntactic valence in the context of an artistic work is carried out due to the use of ellipses in the dialogues of the characters, which is caused by the author’s desire to reproduce oral speech. An increase in semantic and stylistic valence, in particular in causative and factitive quadrivalent constructions, occurs in the texts of those authors whose style involves the use of syntactically complicated polypropositional sentences. Research perspectives are determined by the field of cognitive syntax, in particular by questions of the roles of circumstances and syntactic synonymy, as well as the reproduction of the prototype of the expressed situation in the distributional characteristics and realization of the valence of the verb.
现代法语艺术语篇中语义和句法配价动词的分布与实现
本文回顾了法语动词配价理论的发展历程,阐述了配价理论与配价理论的关系,揭示了法国现代艺术散文作品中实现潜在配价的条件,阐明了实现无价、一价、二价、三价和四价动词的特色句法结构。本文的目的是概述法语动词在文学文本中价态增减的原因和规律。本文的研究材料是21世纪龚古尔奖得主的九篇小说的句法结构,这些小说是法国现代文学散文的参考文本。应用结构研究方法确定了采用分布分析和成分分析,以及直接成分分析。研究发现,根据分布特征建立的势价与动词在特定语篇中的实际价往往不一致。效价的实现也受到作者观点的影响,特别是表现在语法结构的使用和动词的偶尔使用上,这是由于违背了动词在语义上的分布特征和潜在的效价而引起的。在艺术作品的语境中,语义-句法效价的降低是由于人物对话中省略的使用,这是作者想要再现口语的愿望造成的。语义配价和文体配价的增加,特别是使使和作使四价结构,出现在那些风格涉及使用句法复杂的多命题句子的作者的文本中。研究视角取决于认知句法领域,特别是环境和句法同义的作用问题,以及动词配价的分布特征和实现中所表达情境原型的再现。
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