Functioning and development of conscious ability in communication, play, artistic activity

V. Moskalets
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Abstract

A necessary condition for the existence of conscious ability in the way of correlative correlation between the planes of mental acts (noesis) and content-meanings (noema) – is an activity. Despite the communicative content of other activities, there is actually a communicative activity – communication, the leading motive of which is communication itself. Psychological and physical contact with the object of such communication is a self-sufficient goal for the subject. The emotional-dispositional basis of his motivation is all kinds of love and amicability. Deprivation of communication causes serious damage to the mental health of almost all people. Therefore, communication is a basic condition and a way of normal functioning of human conscious ability, the main factor of mental development of speech as a basis for this ability of infants and young children, who desperately need communication, full of expressive manifestations of love and tenderness. Children, who suffer from the deprivation of such communication, noticeably lag behind in development: their own speech and understanding of what is addressed to them, intelligence, self-awareness, adequate emotionality, social activity and adaptability. Mechanisms of social-psychological interaction are gradually “connected” to the process of intuitive “interiorization” of infants and young children, the essence of which is that in the noems of the subject’s conscious ability, the attitude to him, to other people, to the world of authoritative and referent for him individuals and groups is reflected. The most powerful subjective factor of the effectiveness of a child’s personal development is authentic activity through the volitional effort required to follow the rules of the game that attracts and captures it. Children benevolently accept the restrictions required by the rules of the game and are happy to follow them, because these are the conditions for testing their mental and somatic life potential, because in the process of the game «play» the vital forces of the child that please her. Such pleasure is the emotional-motivational basis of any real game and the deep foundation of the psychological affinity of game self-limitation and self-overcoming with the morality and spirituality of a personality, and thus a subjective factor in the development of his spiritual-moral conscious ability. At the same time, its aesthetic sensitivity develops due to the fact that the rules of the game form the harmonious system that gives the aesthetic impression of the beauty of the game. The deep basis of motivation of artistic-figurative activity (creation and perception of works of art) is a secret human desire – freedom of spirit, liberation from the shackles of its biological and social “handcuff”. Therefore, the ideological-emotional core of the images of high art is the freedom-loving human spirit, which is subject to the urges caused by the biological nature of human and social taboos and imperatives that oppress him. In the process of artistic-figurative activity, the subject empathically identifies with the struggles of the spirit of the art works’ heroes. These empathic shifts of one’s own spiritual-moral ability delight the subject, who develops the emotional-dispositional foundations of corresponding noems of his conscious ability. Cognition requires a serious attitude and hard work, which is most motivated by interest in its content. An effective way of such interest is the game psychological content of teaching. In general, the question of including the game into cognitive activity makes sense only as a fulfillment of the learning process with game psychological content. To organically combine the hard efforts of students, which requires knowledge and assimilation of scientific truths and spiritual values with game attractiveness - is not easy, but possible, especially concerning subjects of artistic-aesthetic cycle due to the semantic affinity of motivation of game and artistic-figurative activities. A necessary condition for the humanistic mission of sport is that it must be a noble competition, that is, a real game.
交际、游戏、艺术活动中意识能力的功能和发展
意识能力以心理行为(noesis)与内容意义(noema)相互关联的方式存在的必要条件是一种活动。尽管其他活动具有交际的内容,但实际上存在着一种交际活动——交际,而交际活动的主要动机就是交际本身。与这种交流对象的心理和身体接触是主体自给自足的目标。他的动机的情感性格基础是各种各样的爱和友善。剥夺交流对几乎所有人的心理健康造成严重损害。因此,交流是人类意识能力正常运作的基本条件和方式,言语作为婴幼儿智力发展的主要因素,是这种能力的基础,婴幼儿迫切需要交流,充满爱与温柔的表达表现。缺乏这种交流的儿童在发展方面明显落后:他们自己的语言和对别人说话的理解、智力、自我意识、充分的情感、社会活动和适应能力。社会心理相互作用的机制逐渐“连接”到婴幼儿直观的“内化”过程,其实质是在主体的意识能力的主题中,反映出对他、对他人、对他个人和群体的权威和所指世界的态度。影响儿童个人发展有效性的最强大的主观因素是,通过自愿努力来遵循吸引和抓住它的游戏规则的真实活动。孩子们仁慈地接受游戏规则所要求的限制,并乐于遵守它们,因为这些是测试他们精神和肉体生活潜力的条件,因为在游戏过程中“发挥”孩子的生命力,使她高兴。这种愉悦是任何现实游戏的情感动机基础,是游戏自我限制、自我克服与人格道德、精神的心理亲和力的深层基础,是人格精神道德意识能力发展的主观因素。同时,由于游戏规则构成了一个和谐的系统,从而给人以游戏之美的审美印象,从而发展了它的审美敏感性。艺术-具象活动(艺术作品的创作和感知)动机的深层基础是一种隐秘的人类欲望——精神的自由,从生物和社会“手铐”的束缚中解放出来。因此,高雅艺术形象的思想情感内核是热爱自由的人的精神,这种精神受制于人的生物性和压迫他的社会禁忌和命令所产生的冲动。在艺术具象活动的过程中,主体对艺术作品中主人公的精神斗争产生了共情认同。一个人的精神-道德能力的移情转变使主体感到高兴,主体发展了他的意识能力的相应主题的情感-性格基础。认知需要认真的态度和努力的工作,而对其内容的兴趣是最有动力的。培养这种兴趣的有效途径是教学中的游戏心理内容。一般来说,将游戏纳入认知活动的问题只有在通过游戏心理内容实现学习过程时才有意义。将学生的努力——这需要知识和对科学真理和精神价值的吸收——与游戏的吸引力有机地结合起来是不容易的,但却是可能的,特别是在艺术-审美循环的主题中,由于游戏动机和艺术-比喻活动的语义亲和力。体育具有人文使命的一个必要条件是它必须是一种高尚的竞赛,即一种真正的游戏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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