The Learning Through Body Percussion

Ghea Andriany Hervista, J. Masunah
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引用次数: 2

Abstract

The purpose of this article is to discuss the body percussion theory and practice developed by Dalcroze. The body percussion learning model is basically music learning, but the model can be adopted for dance learning. In Dalcroze's theory there are three elements developed in the concept of learning including eurythmic, solfeggio, and improvisation. These three things basically are elements that exist in music, but these elements can be used in the development of dance movements. Therefore, the concept of body percussion was experimented in dance learning. The research method used was a pre-experiment with one group pretest-posttest design. The findings found in this study can be concluded that the concept of body percussion can be implemented practically in dance learning and produce dance forms accompanied by music from the dancer's body. Body Percussion learning can improve musical ability (rhythmic) dance movements of students after being given learning
通过身体打击乐学习
本文的目的是探讨Dalcroze的身体敲击理论和实践。身体打击乐学习模式基本上是音乐学习,但舞蹈学习也可以采用这种模式。在Dalcroze的理论中,学习的概念有三个要素,包括韵律、视唱练耳和即兴创作。这三样东西基本上是音乐中存在的元素,但这些元素可以用于舞蹈动作的发展。因此,在舞蹈学习中尝试了身体打击乐的概念。研究方法采用一组前测后测设计的预实验。本研究的发现可以得出结论,身体打击乐的概念可以在舞蹈学习中得到实际的实施,并从舞者的身体中产生伴随音乐的舞蹈形式。身体打击乐学习可以提高学生在学习后的音乐能力(节奏)舞蹈动作
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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