J

J. R. Adams
{"title":"J","authors":"J. R. Adams","doi":"10.1515/9783110580389-035","DOIUrl":null,"url":null,"abstract":"the Department of Music at Clark Atlanta University. In addition to the aforementioned, Dr. Adams is a recitalist/teacher, and soloist for the First Church of Christian Scientist; Fayetteville, Georgia. Adams performed as part of the High Museum’s “Make a Joyful Noise” exhibit, Atlanta, Georgia. He has performed over seventeen complete opera roles and more than fifteen characters in numerous opera scenes programs. Dr. Adams has performed with the New York Harlem Theatre for whom he performed as an independent Artist with their productions of Porgy and Bess in the Grand Théatre de Genéve, Switzerland, and Teatro di San Carlo, Naples, Italy. Adams also performed with the Atlanta Opera Opéra-Comique’s production of Porgy and Bess, in France, Spain, Normandy and Luxembourg. Other performances include the roles of Commendatore, Opera Festival di Roma and Rome Opera Festival; Don Alfonso, Cosí fan Tutte, and Titus, The Candlers of Callan by Sharon Willis. Dr. Adams was Music Director for Three Penny Opera and Carmen Jones; CAU Players. Adams was the Project Director for the Department of Music’s Lab Enhancement Grant; funded through Title III. He was Professor of Music-Voice, and Chair of the Department of Music at Elizabeth City State University, North Carolina. Adams also served as Head of the Division of Arts and Humanities, Professor of Music-Voice, and Chair of the Department of Fine Arts at Knoxville College, where he also directed the college choir, Knoxville, Tennessee. Robert was also Project Director for the Missouri Artists Series, Lincoln University. Adams served as President/Registrar of the Alabama Chapter of the National Association of Teachers of Singing (ALANATS). He also served as Regional Registrar for the southeast region of the National Teachers of Singing (NATS).","PeriodicalId":288401,"journal":{"name":"International Directory of Arts 2019","volume":"35 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Directory of Arts 2019","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9783110580389-035","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

the Department of Music at Clark Atlanta University. In addition to the aforementioned, Dr. Adams is a recitalist/teacher, and soloist for the First Church of Christian Scientist; Fayetteville, Georgia. Adams performed as part of the High Museum’s “Make a Joyful Noise” exhibit, Atlanta, Georgia. He has performed over seventeen complete opera roles and more than fifteen characters in numerous opera scenes programs. Dr. Adams has performed with the New York Harlem Theatre for whom he performed as an independent Artist with their productions of Porgy and Bess in the Grand Théatre de Genéve, Switzerland, and Teatro di San Carlo, Naples, Italy. Adams also performed with the Atlanta Opera Opéra-Comique’s production of Porgy and Bess, in France, Spain, Normandy and Luxembourg. Other performances include the roles of Commendatore, Opera Festival di Roma and Rome Opera Festival; Don Alfonso, Cosí fan Tutte, and Titus, The Candlers of Callan by Sharon Willis. Dr. Adams was Music Director for Three Penny Opera and Carmen Jones; CAU Players. Adams was the Project Director for the Department of Music’s Lab Enhancement Grant; funded through Title III. He was Professor of Music-Voice, and Chair of the Department of Music at Elizabeth City State University, North Carolina. Adams also served as Head of the Division of Arts and Humanities, Professor of Music-Voice, and Chair of the Department of Fine Arts at Knoxville College, where he also directed the college choir, Knoxville, Tennessee. Robert was also Project Director for the Missouri Artists Series, Lincoln University. Adams served as President/Registrar of the Alabama Chapter of the National Association of Teachers of Singing (ALANATS). He also served as Regional Registrar for the southeast region of the National Teachers of Singing (NATS).
J
克拉克亚特兰大大学音乐系除了上述提到的,亚当斯博士还是第一基督教科学教会的独奏家/教师和独奏家;费耶特维尔,格鲁吉亚。亚当斯的表演是乔治亚州亚特兰大市高等博物馆“制造快乐的噪音”展览的一部分。他在许多歌剧场景节目中扮演了超过17个完整的歌剧角色和超过15个角色。亚当斯博士曾作为独立艺术家在纽约哈莱姆剧院演出,并在瑞士的格兰萨姆萨特剧院和意大利那不勒斯的圣卡洛剧院演出了他们的作品《波吉与贝斯》。亚当斯还在法国、西班牙、诺曼底和卢森堡与亚特兰大歌剧院的歌剧《波吉与贝丝》一起演出。其他演出还包括出演“准将”、“罗马歌剧节”和“罗马歌剧节”;唐·阿方索,Cosí粉丝图特,和提图斯,莎伦·威利斯的《卡兰的蜡烛》。亚当斯博士是《三分钱歌剧》和《卡门·琼斯》的音乐总监;标出的球员。亚当斯是音乐系实验室增强基金的项目主管;通过第三章资助。他曾是北卡罗来纳州伊丽莎白市立大学音乐声乐教授和音乐系主任。亚当斯还曾担任诺克斯维尔学院艺术与人文学部主任、音乐声乐教授、美术系主任,并在田纳西州诺克斯维尔指导学院合唱团。罗伯特也是林肯大学密苏里艺术家系列的项目总监。亚当斯曾担任全国歌唱教师协会(ALANATS)阿拉巴马分会的主席兼注册主任。他还担任过全国歌唱教师协会(NATS)东南地区的区域登记员。
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