Yevgeny A. Boratynsky’s Philosophical Lyrics in the Perception of Vasily V. Zenkovsky and Semyon L. Frank

Yu.Yu. Anokhina
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Abstract

A particular aspect of the problem of interference of philosophy and literature is considered. This article reflects the results of the ongoing study of the problem of perception of poetry by E.A. Boratynsky in Russian philosophical thought. For the first time, an analysis of the reception of Baratynsky's lyrics in the works of Archpriest V.V. Zenkovsky and S.L. Frank is presented. The novelty of the study is seen in the fact that the stated problem is considered for the first time. The relevance seems to lie in the interdisciplinary nature of the research being undertaken. Appeal to the method of slow reading allows us to reconstruct two specific examples of the complex process of interaction between Russian literature and philosophy. Particular attention is paid to Zenkovsky's article “Philosophical Motives of Russian Poetry”, as well as Frank's abstracts “The Meaning of Suffering”, “On the Meaning of Suffering in Russian Literature” and his “Etudes on Pushkin”. It is shown that both Zenkovsky and Frank saw in Boratynsky, first of all, a contemporary of A.S. Pushkin, a poet-philosopher who expressed pessimistic ideas in his work. At the same time, unlike Zenkovsky, who tried to define the essence of Boratynsky's lyrics as such, Frank turned to the poet's poems in order to determine the place of Pushkin in Russian poetry and, on the other hand, in order to express the provisions of his own concept of suffering more clearly.
在瓦西里·v·赞科夫斯基和谢米恩·l·弗兰克的感知中,叶夫根尼·a·博拉廷斯基的哲学歌词
本文考虑了哲学与文学干涉问题的一个特殊方面。本文反映了对俄国哲学思想中博拉廷斯基诗歌感知问题的研究成果。本文首次分析了巴拉廷斯基的歌词在大祭司V.V.曾科夫斯基和S.L.弗兰克的作品中的接受情况。这项研究的新颖之处在于它第一次考虑了上述问题。相关性似乎在于正在进行的研究的跨学科性质。借助慢读的方法,我们可以重构俄罗斯文学与哲学之间复杂互动过程的两个具体例子。特别值得注意的是曾科夫斯基的文章《俄罗斯诗歌的哲学动机》,以及弗兰克的摘要《苦难的意义》、《论俄罗斯文学中苦难的意义》和他的《普希金练习曲》。这表明,赞科夫斯基和弗兰克都认为博拉廷斯基首先是普希金的同代人,是一位在作品中表达悲观思想的诗人哲学家。与此同时,与曾科夫斯基试图定义博拉廷斯基歌词的本质不同,弗兰克转向诗人的诗歌,一方面是为了确定普希金在俄罗斯诗歌中的地位,另一方面是为了更清楚地表达他自己的苦难概念的规定。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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