Revisited interpretation of Ta’ārof

Mojde Yaqubi
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Abstract

Speech acts used in doing ta’ārof (Iranian system of politeness) have been conceptualized in terms of both positive (i.e. sincere or genuine) and negative (i.e. ritual or ostensible) meanings. This study aimed to revisit the interpretation of the negative meaning by concentrating on ta’ārof (ritual) offers produced by characters in Iranian films. First, these items were identified and distinguished from their genuine counterparts based on the strategies used in their structures and analysing their contextual features respectively. Then, the researcher proposed a model in which she adopted the notion of Leech’s (1983) meta-implicature (indirect implicature) to explicate the negative meaning of ta’ārof offers. She grouped a series of effective factors in working out these meta-implicatures. Finally, a tentative hierarchy of stages for identification and interpretation of ta’ārof offers in Iranian films were proposed.
重新解读Ta ' ārof
在做ta ' ārof(伊朗礼貌系统)时使用的言语行为被概念化为积极(即真诚或真诚)和消极(即仪式或表面)意义。本研究旨在通过关注伊朗电影中角色提供的ta ' ārof(仪式),重新审视负面意义的解释。首先,根据这些词的结构策略和语境特征对其进行识别和区分。然后,研究者提出了一个模型,在这个模型中,她采用Leech(1983)的元含义(间接含义)的概念来解释ārof提供的否定意义。她归纳了一系列有效的因素来计算这些元含义。最后,提出了一个初步的阶段层次,以识别和解释伊朗电影中的“ārof”提议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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