An Interpretation of Ecological Images in William Yeats’ Poems from the Perspective of New Historicism

Guo Lei, He Li
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Abstract

There are many descriptions of the environment in William Yeats’ poems. From the perspective of new historicism, this paper analyzes the ecological images of poetry from two aspects: the historicity of the text and the textuality of history. Ecological images are those depicting nature and cities. Among them, birds, roses, and Innisfree are the classic ones. Through these images, William Yeats concerns the relationship between the ecology and people. The historicity of the text presents the historical reality of Ireland and Irish life experience. Then, based on the function of literary texts which work as an ecological reality, the thesis explores the assimilation and arrogance of humans in constructing Irish life experience. The textuality of history focuses on fiction and historic reality. Through the images, Irish ecology enters the public. Moreover, William Yeats applies defamiliarization and intertextuality to contrasting the authoritative history and offering a fresh history.
从新历史主义的角度解读叶芝诗歌中的生态意象
叶芝的诗中有很多对环境的描写。本文从新历史主义的视角出发,从文本的历史性和历史的文本性两个方面分析诗歌的生态形象。生态图像是描述自然和城市的图像。其中,鸟、玫瑰、茵湖是最经典的。通过这些意象,叶芝关注生态与人的关系。文本的历史性呈现了爱尔兰的历史现实和爱尔兰人的生活经历。然后,从文学文本作为一种生态现实的功能出发,探讨了人在建构爱尔兰生活经验中的同化与傲慢。历史的文本性侧重于虚构和历史现实。通过这些影像,爱尔兰生态进入公众视野。此外,叶芝运用陌生性和互文性来对比权威历史,提供一种新鲜的历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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