The Arts in the Latin Kingdom of Jerusalem

T. Boase
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引用次数: 6

Abstract

In I883 Prutz published his lengthy Kulturgeschichte der Kreuzziige. Since Wilken's pioneer work in 1807, the history of the crusades and the mediaeval Levant had been industriously rewritten. Michaud had added the full romantic flavour and further study of the Arab authorities, Heyd had defined the economic background in his Geschichte des Levantehandels. Prutz sought to add an exhaustive account of the thought and manners of the Latin kingdom, and his book is an interesting example of the methods of his time. The greater part of it is concerned with a comparative examination of Christianity and Mohammedanism as the background of the two civilizations, and the effect of such differing premises on the general structure of society. He saw clearly some of the points where crusader and Arab most misconceived one another, and he searched the written evidence skilfully for examples. The visual arts receive only a brief treatment. The scheme of the book had taken form when Prutz was attacking a fantastic attempt to find Barbarossa's bones in Tyre, and he was sceptical about archaeological results and the attribution of dates and authorship to Syrian ruins. The mind of man as reflected in his handicraft was still in 1883 a comparatively obscure subject of study, and one which a Kulturgeschichte could deal with in some twenty pages out of its quota of six hundred and forty two. De Vogifi had published in I86o his Eglises de la Terre Sainte and Rey in 1871 his Architecture Militaire des Croises en Syrie, books which mark the transition from travellers' accounts to systematic investigation; but photography had not as yet developed sufficiently to provide readily filed data; and much of the evidence was still inaccessible, forbidden to Christians as was the Haram El-Khalil at Hebron, or dangerously remote and brigand-infested. Even under these conditions much valuable work was done in the early years of this century,1 but it was not till the French and British mandates were established that
耶路撒冷拉丁王国的艺术
1983年,普鲁茨出版了他的长篇著作《文化知识》。自1807年威尔肯的先驱之作问世以来,十字军东征和中世纪黎凡特的历史已经被孜孜不倦地改写。米绍在书中加入了充分的浪漫主义色彩,并对阿拉伯当局进行了进一步的研究。海德在他的《莱万特handels概论》中定义了经济背景。普鲁兹试图详尽地描述拉丁王国的思想和习俗,他的书是他那个时代的一个有趣的例子。本书的大部分内容是对作为两种文明背景的基督教和伊斯兰教进行比较考察,以及这种不同的前提对社会总体结构的影响。他清楚地看到十字军和阿拉伯人最容易误解对方的一些地方,并熟练地从书面证据中寻找例子。视觉艺术只得到简短的处理。这本书的构思是在普鲁茨攻击在提尔寻找巴巴罗萨遗骨的荒唐尝试时形成的,他对考古结果以及叙利亚遗址的日期和作者身份持怀疑态度。反映在手工业上的人的思想,在1883年仍然是一个比较晦涩的研究课题,一份《文化报》在其642页的编目中,只用20页左右就可以研究这个问题。德·沃吉吉在1860年出版了他的《圣地游记》,在1871年出版了他的《叙利亚海上军事建筑》,这些书标志着从旅行者的叙述到系统调查的转变;但是当时的摄影技术还没有发展到足以提供现成的存档数据;而且很多证据仍然是无法获得的,基督徒是被禁止进入的,就像希伯伦的哈利勒圣地一样,或者是危险的偏远地区,强盗横行。即使在这样的条件下,本世纪初也做了许多有价值的工作,但直到法国和英国的委任才确立
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