La edición de las acotaciones

Javier Rubiera
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Abstract

The main objective of this article is to clarify both the meaning of the use of the word aparte (aside) in the autographs of Lope de Vega, and the use of other verbal expressions or graphic marks that refer to the disposition of the actors on the stage to speak separately, with obvious spatial and enunciative implications. Therefore, the article deals with the use of ‘aside’ in the Spanish Comedia, the indication of the ‘asides’ in the manuscripts and printed texts of the 17h century, its treatment in the edition of modern dramatic texts, and the perspectives that the digital medium opens for the edition of the stage directions and, in particular, of those that indicate the asides.
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本文的主要目的是澄清洛佩·德·维加亲笔签名中使用“apart (aside)”一词的含义,以及其他语言表达或图形标记的使用,这些表达或图形标记指的是舞台上演员分开说话的倾向,具有明显的空间和发音含义。因此,本文讨论了“aside”在西班牙喜剧中的使用,17世纪手稿和印刷文本中“aside”的指示,其在现代戏剧文本版本中的处理,以及数字媒体为舞台指示的版本打开的视角,特别是那些指示旁白的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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