From a Murder to Deaths in the Morcha

Malvika Maheshwari
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Abstract

This chapter explores the responses to two questions. The first asks how criminalized politics and its associated violence came to administer the limits of artistic expression in the country, and in doing so, hampered or reformed the systemic order of constitutional politics. The second explores what implications this had for the sustenance of democratic processes (given that regulation of freedom of speech and expression is an aspect that is apparently fundamental to the regulatory role of a democratic state). The idea is not to conclude whether criminalized politics and its ensuing violence are themselves democratic or not. Instead, what we can understand from these questions is the extent to which criminalization and violence gradually acquired salience in the narrative and functioning of India’s liberal democracy, no longer inviting punishment or being regarded as anomalies or as impediments to governance. Based on two case studies, the chapter examines two different aspects of the politico-criminal nexus: one of patronage, which pertains to the opportunism of violent actions undertaken by cadres of criminals and local strongmen as pawns in the game of power politics; and the other of partnership that relates to the subversive ritualism of para-statal organizations like the mafia, on whom the state relies, but with whom it also competes for domination.
从谋杀案到Morcha死亡事件
本章探讨了对两个问题的回答。第一个问题是,犯罪化的政治及其相关的暴力如何在该国管理艺术表达的限制,并在这样做时阻碍或改革了宪政的系统秩序。第二部分探讨了这对维持民主进程的影响(考虑到言论和表达自由的监管显然是民主国家监管角色的一个基本方面)。这个观点并不是要得出结论,犯罪化的政治及其随之而来的暴力本身是否民主。相反,我们可以从这些问题中理解的是,刑事定罪和暴力在印度自由民主的叙事和运作中逐渐获得突出地位的程度,不再招致惩罚,也不再被视为异常现象或治理的障碍。基于两个案例研究,本章考察了政治与犯罪关系的两个不同方面:其一是庇护,涉及犯罪分子干部和地方强人作为权力政治游戏中的棋子所采取的暴力行动的机会主义;另一种是伙伴关系,它与像黑手党这样的准国家组织的颠覆仪式有关,国家依赖他们,但也与他们争夺统治地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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