Neo nolin “genre” new music

I. G. Mawan
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引用次数: 4

Abstract

The development of Mandolin music today is experiencing very rapid development. We can see this in the presence of various artistic creativities that are present in the midst of society. The presence of artistic creativity is due to the opening of wide creative spaces for the younger generation who love traditional music. Various types of new repertoires have appeared to color the development of Mandolin music today as a result of this freedom of space to create the repertoire work and the musical instruments. This has resulted in the emergence of many new musical genres in the community. The main problems discussed in this study include: What is the form of renewal carried out in Mandolin music? What are instrument development, repertoire, and presentation system? This research aims to identify, describe, and analyze the form of Mandolin music from classical to its development. Data were analyzed using interpretive qualitative methods, and the results of the analysis were presented informally in narrative form. The results of this study indicate that Neo Nolin is a renewal of the existing Mandooin music, reconstructed to present a new atmosphere, form, and presentation system that is more aesthetically attractive.
Neo nolin“流派”新音乐
曼陀林音乐的发展在今天正经历着非常迅速的发展。我们可以从社会中存在的各种艺术创作中看到这一点。艺术创造力的存在是由于为热爱传统音乐的年轻一代开放了广阔的创作空间。各种新曲目的出现为曼陀林音乐的发展增添了色彩,这是创作曲目作品和乐器的自由空间的结果。这导致了社区中出现了许多新的音乐流派。本研究讨论的主要问题包括:曼陀林音乐中进行的更新形式是什么?什么是乐器开发、保留曲目和演示系统?本研究旨在识别、描述和分析曼陀林音乐从古典到发展的形式。使用解释性定性方法分析数据,分析结果以非正式的叙述形式呈现。研究结果表明,Neo Nolin是对现有曼都国语音乐的一种更新,重构了一种新的氛围、形式和呈现系统,更具审美吸引力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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