Design Anthropology as Social Design Process

Siobhan Gregory
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引用次数: 4

Abstract

As professionally trained designers position their practices as central to social change, they bring with them efficiency in process, technical expertise, sophisticated aesthetic skills, and highly scripted narratives. In economically challenged cities like Detroit, creative professionals are hired to help transform neighborhoods that are described as abandoned, disorderly, and “blighted”. Residents of these neighborhoods are increasingly asked to engage in stakeholder meetings and design charrettes that promise greater inclusion and “a voice” in the process. These activities and interventions are sometimes framed as Design Thinking, human-centered design, or participatory design. However, as designer-adapted, re-contextualized anthropological methods, these approaches may ultimately diminish the value and understanding of applied anthropological enquiry. The author argues that design anthropology can offer a deeper, more grounded, and more equitable approach to design and design research processes in contexts of “urban renewal.”  
作为社会设计过程的设计人类学
作为受过专业训练的设计师,他们将自己的实践定位为社会变革的中心,他们带来了流程效率、技术专长、复杂的美学技能和高度脚本化的叙事。在像底特律这样经济困难的城市,创造性的专业人士被雇佣来帮助改造被描述为被遗弃、无序和“破败”的社区。这些社区的居民越来越多地被要求参与利益相关者会议和设计夏洛特,承诺在这个过程中更大的包容性和“发言权”。这些活动和干预有时被框定为设计思维、以人为本的设计或参与式设计。然而,作为设计师适应的、重新语境化的人类学方法,这些方法最终可能会削弱应用人类学调查的价值和理解。作者认为,设计人类学可以为“城市更新”背景下的设计和设计研究过程提供更深入、更有根据、更公平的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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