India and Spain, two cinematic strangers ten years after Zindagi Na Milegi Dobara

Bitasta Das, Jaime López-Díez
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Abstract

Abstract The aim of this research is to study the relationships between Indian and Spanish film industries. The study focuses on films with the presence of Indian culture in Spanish movies, Spanish culture in Indian movies, the impact of a significant movie in these relationships, Zindagi Na Milegi Dobara, and the success of Indian movies in the Spanish screens. The methodology has been the review of literature on Indian and Spanish films, as well as an analysis of the data offered by the  Spanish Institute of Cinematography and Audiovisual Arts. The results show that despite the institutional efforts in both countries, the links remain anecdotical. The relevance of this study is that it shows the contradiction of Indian film industry being one of the biggest in the world, while being mostly unknown, and unexhibited, in Spain.   
印度和西班牙,在Zindagi Na Milegi Dobara之后十年的两个电影陌生人
本研究的目的是研究印度和西班牙电影产业之间的关系。该研究的重点是西班牙电影中存在印度文化的电影,印度电影中存在西班牙文化的电影,一部重要电影在这些关系中的影响,Zindagi Na Milegi Dobara,以及印度电影在西班牙银幕上的成功。方法是审查关于印度和西班牙电影的文献,以及分析西班牙电影摄影和视听艺术研究所提供的数据。研究结果表明,尽管两国都在制度上做出了努力,但这种联系仍然是轶事。这项研究的相关性在于,它显示了印度电影工业是世界上最大的电影工业之一,而在西班牙却几乎不为人知,也没有展出的矛盾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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