New York, the Mecca of the Art World. Initial Study on Polish Migrant Artists who Left for the United States, 1986–1995

Anna Rudek-Śmiechowska
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Abstract

The paper strives to characterize the circle of Polish visual artists who left for the United States in the late 20th century and settled in New York City, where they continued their careers. For the purposes of the paper, the subject matter has been focused on an excerpt from an ample research problem i.e. the analysis of the history of the Polish American Artists Society (PAAS,) operating in New York from 1986 through 1995. Their activities form the basis for the analysis and constitute a database to construct a more profound picture of the organization. Therefore, the years in which PAAS operated shall also constitute the paper’s framework. To foster simplicity, the term ‘artist’ and ‘artists’ shall be used to refer to visual artists born in Poland who came to New York City mainly in the 1970s, 1980s, and 1990s, permanently resided in the United States, and worked as visual artists, regardless of the technique they adopted, be it painters, sculptors, photographers, graphic artists, illustrators, performers, artistic fabric weavers, or video artists. The paper uses their micro-stories to illustrate the phenomenon behind the prolific community of Polish artists in New York City from 1986 through 1995. It is based on research on PAAS, which has become the basis for a monographic book about the Society.
纽约,艺术世界的圣地。1986-1995年波兰移民美国艺术家初步研究
本文力求描述波兰视觉艺术家的圈子,他们在20世纪后期前往美国,定居在纽约市,在那里继续他们的职业生涯。为了本文的目的,主题集中在一个充分研究问题的摘录上,即分析波兰裔美国艺术家协会(PAAS)从1986年到1995年在纽约运作的历史。他们的活动构成了分析的基础,并构成了一个数据库,以构建一个更深刻的组织图像。因此,PAAS运行的年份也应构成本文的框架。为了简单起见,“艺术家”和“艺术家”一词是指出生在波兰的视觉艺术家,他们主要在20世纪70年代,80年代和90年代来到纽约市,永久居住在美国,并以视觉艺术家的身份工作,无论他们采用何种技术,无论是画家,雕塑家,摄影师,平面艺术家,插画家,表演者,艺术织物编织者还是视频艺术家。这篇论文用他们的微观故事来说明1986年到1995年期间在纽约市多产的波兰艺术家群体背后的现象。它是基于对PAAS的研究,这已经成为一本关于社会的专著的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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