Mutants, Cyborgs and Femininity Unfixed? Addressing the Gendered Bodies of Mystique and Nebula

Miriam Kent
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Abstract

Though Marvel superhero films often display a need to maintain gender rigidity, two interesting cases are the mutant shapeshifter Mystique, who appears in the X-Men films, and the female cyborg Nebula of the Guardians of the Galaxy films. This chapter addresses the potential for queer readings of these characters, while also examining how they are placed within postfeminist boundaries. The simultaneous queering and de-queering of Mystique that occurs throughout the X-Men films is a notable paradox. Meanwhile, Nebula can be read in terms of the radical politics of the gendered cyborg, especially concerning subjectivity and family. These characters pose excellent case studies for the subject of the posthuman (but still gendered) body due to the representation of their bodies as explicitly pliable and questioning hegemonic gender norms. Both characters have an alien appearance, harnessing the generic potential of the science fiction-superhero hybrid genre that more recent superhero films make use of since the initial success of 2014’s Guardians of the Galaxy.
变种人、半机械人和未固定的女性特质?对魔形女和星云的性别化身体的描述
尽管漫威超级英雄电影经常表现出保持性别刚性的需要,但有两个有趣的例子是《x战警》系列电影中出现的突变变形人魔形女和《银河护卫队》系列电影中的女性半机械人星云。本章探讨了对这些角色进行酷儿解读的可能性,同时也研究了他们是如何被置于后女权主义的界限之内的。在《x战警》系列电影中,魔形女同时变酷和去酷是一个值得注意的悖论。同时,《星云》可以被解读为性别化的半机械人的激进政治,尤其是关于主体性和家庭的政治。这些角色为后人类(但仍然性别化)身体的主题提供了极好的案例研究,因为他们的身体表现出明显的柔韧性,并质疑霸权的性别规范。这两个角色都有外星人的外表,利用了科幻-超级英雄混合类型的普遍潜力,自2014年《银河护卫队》取得初步成功以来,最近的超级英雄电影都在利用这种类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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