A Tale of the Evolution and Stylized Modification of Paisley in different Eras of the Sub-Continent

Aleena Shoukat
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Abstract

The land of Kashmir is celebrated for the nature that abides within it, a place of immeasurable beauty, fabrics, color, scenic artistry and illustrative ways. Numerous fabrics of this land are unsheathed by their alluring, intricate, and delicate designs. Presumably, the well- known fabric patterns and designs among them are originated from the sub-Continent- namely, the “Paisley of Kashmir”. The art we shall be highlighting in this article shall be the Paisley motif from the land of Kashmir. Up to this day it is still used rigorously in variety of couture including wide range of casual domestic fabrics and gift particulars. The purpose of this article is to explore the literal background, origin, fashion, colorful patterns; and development in the motif, the present script and its use in the contemporary art world. Furthermore, my aim is to gain an in- depth knowledge on the content for which a series of interview schedule was held from the vast dealers of textile, needlewomen, embroiders of cloth, carpet manufacturers; and export dealers who had dealt with this Kashmir motif. This extensive exploration will not only enable us to dissect the use of Kashmiri motif but also contributes in knowing as how proactively it can be used to put extra touch of glamour for decorating home textiles such as bedcovers and dresses.  Index terms: Home textiles, Mango motif, Paisley of Kashmir, tadpole type pattern, teardrop.
次大陆不同时期佩斯利纹样的演变与风格化修饰
克什米尔的土地以其固有的自然而闻名,这是一个不可估量的美丽、织物、色彩、风景艺术和说明性的地方。这片土地上的许多织物被它们诱人的、复杂的和精致的设计揭开了面纱。据推测,其中著名的织物图案和图案起源于次大陆,即“克什米尔佩斯利”。我们将在这篇文章中强调的艺术将是来自克什米尔土地的佩斯利图案。直到今天,它仍然被严格用于各种高级定制,包括各种休闲的国内面料和礼品细节。本文的目的是探究其文字背景、起源、流行、色彩;以及主题的发展,现在的剧本及其在当代艺术界的应用。此外,我的目的是深入了解从广大的纺织品经销商,针线活,布料绣花,地毯制造商的一系列采访安排的内容;以及从事克什米尔主题贸易的出口商人。这种广泛的探索不仅使我们能够剖析克什米尔图案的使用,而且有助于了解它如何积极地用于装饰家用纺织品,如床罩和连衣裙。索引术语:家纺,芒果图案,克什米尔佩斯利,蝌蚪型图案,泪滴。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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