Two Images of Shakespeare in Anthony Burgess’s Novel “Nothing Like the Sun” and in Jurij Dombrovskij’s Stories

N. Bochkareva, O. Averkieva
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引用次数: 1

Abstract

Abstract . The purpose of the article is to compare images of Shakespeare in the novel “Nothing like the Sun. A Story of Shakespeare’s Love Life” (1964) by the English writer Anthony Burgess and in the stories “The Dark Lady”, “The Second Quality Bed” and “The Royal Rescript” (1969) by the Russian writer Jurij Dombrovskij. Distinctions of the images are explained, first of all, by the different literary tradition and poetics of realism and modernism accordingly. Similarities speak of the commonality of the tendencies in the European historical and literary process of the 20th century, and also  of the creative biography of writers, their aversion of totalitarianism and aspiration to create an image of a free person. The fundamental complexity is to create the image of the historic figure in general and Shakespeare in particular. It is as though shrouded by the foggy veil through which we can rather see the features of Burgess and Dombrovskij themselves than of the Stratford playwright that remains a riddle for readers.
安东尼·伯吉斯的小说《太阳之光》和尤里·东布罗夫斯基的《故事》中的两个莎士比亚形象
摘要这篇文章的目的是比较莎士比亚在小说《没有什么像太阳》中的形象。英国作家安东尼·伯吉斯(Anthony Burgess)的《莎士比亚爱情生活的故事》(1964)以及俄罗斯作家Jurij Dombrovskij的《黑暗女士》(the Dark Lady)、《二等床》(the Second Quality Bed)和《皇家手稿》(the Royal Rescript)(1969)。首先从现实主义和现代主义不同的文学传统和诗学角度来解释意象的区别。相似性说明了20世纪欧洲历史和文学进程中趋势的共性,也说明了作家的创造性传记,他们对极权主义的厌恶和对创造自由人形象的渴望。最根本的复杂性在于塑造历史人物的形象,尤其是莎士比亚。透过薄雾,我们更能看到伯吉斯和东布罗夫斯基本人的特点,而不是这位斯特拉特福德剧作家的特点,这对读者来说仍然是一个谜。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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