'Termaximus': A Humanist Jest

George Clutton
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引用次数: 1

Abstract

Machiavelli, Guicciardini is distinctly doubtful that this would ever happen in reality. Yet his interest in Machiavelli's ideas is unmistakable. To what conclusions does this investigation lead? First, it throws light on the extent of Guicciardini's knowledge of Machiavelli by defining its limits. Whenever parts of the Reggimento or the Ricordi can be linked to specific passages in Machiavelli's works, the passages come from the Discorsi. The evident conclusion is that the only political work of Machiavelli with which Guicciardini was acquainted was the Discorsi; he did not know the Prince.' On the other hand it is clear that when writing the Reggimento and the Ricordi Guicciardini not only knew the Discorsi but had studied them very carefully. The interest he takes in the ideas of Machiavelli is much greater than has been assumed. It remains to consider whether Machiavelli's ideas, beyond deeply arousing Guicciardini's interest, exerted a definite influence upon the political system which is embodied in the Reggimento and the Ricordi, and, if so, what the nature of this influence is. As has already been pointed out, the general approach of Machiavelli and Guicciardini to political problems is similar. Their political writings have the same aim : to rationalize their practical political experience, to find the laws behind the involutions of history. In spite of this, there is an essential difference between the conceptions of the two men. Machiavelli arrived at his brilliant generalisations by explaining the present through the past, by analysing the complex situations of his time in terms of the greater and simpler proportions of Roman history. Guicciardini, on the contrary, was convinced of the fundamental difference between the past and the present, and drew for his political writings mainly on the material which his own time could offer him. His work is characterized by penetrating analyses of given situations which he does not allow himself to expand into general conclusions. There can be no doubt that this was the natural bent of his mind. But that his aversion to generalisations became a principle, may be ascribed to the considerations which the opposing principles, expressed in the Discorsi and focussed in Machiavelli's "Romanism," forced upon him.
马基雅维利,Guicciardini显然怀疑这在现实中是否会发生。然而,他对马基雅维利思想的兴趣是毋庸置疑的。这项调查得出了什么结论?首先,它通过界定马基雅维利的局限性,揭示了圭恰迪尼对马基雅维利的了解程度。无论《军团论》或《里可尔第》的哪一部分可以与马基雅维利作品中的特定段落联系起来,这些段落都来自《混乱论》。显而易见的结论是,奎恰尔迪尼所熟悉的马基雅维利的唯一政治著作是《分歧论》;他不认识王子。”另一方面,很明显,在创作《军团》和《里可尔第》时,吉恰尔迪尼不仅了解《迪斯科》,而且对它们进行了非常仔细的研究。他对马基雅维利思想的兴趣远比人们想象的要大。马基雅维利的思想,除了深深激起了吉恰尔迪尼的兴趣之外,是否对体现在《军团》和《里科尔迪》中的政治体系产生了明确的影响,如果是这样,这种影响的本质是什么,还有待考虑。正如已经指出的,马基雅维利和奎恰尔迪尼处理政治问题的一般方法是相似的。他们的政治著作有着相同的目的:使他们的实际政治经验合理化,寻找历史错综复杂背后的规律。尽管如此,这两个人的观念还是有本质的不同。马基雅维利通过过去来解释现在,通过分析他那个时代的复杂情况,根据罗马历史的更大和更简单的比例,得出了他辉煌的概括。相反,Guicciardini确信过去和现在之间存在着根本的差异,他的政治著作主要取材于他所处的时代所能提供的材料。他的作品的特点是对特定情况的深入分析,他不允许自己扩展成一般的结论。毫无疑问,这是他的天性。但是,他对概括的厌恶成为了一种原则,这可能是由于在《分歧论》中表达的、集中在马基雅维利的“罗马主义”中的相反原则强加给他的考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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