EROTIC ASPECT OF NOSTALGIA IN THE LYRICS OF P. BARSKOVA

Abstract

The article presents a reading of the semantic potential of the phenomenon of mirroring and «musical eroticism» in the nostalgic discourse of Polina Barskova. It is presented interpretation of the lyrical plot of the poem «Reflection» in accordance with the inheritance and transformation of P. Barskova's traditions of the image of the intimate as a factor of nostalgic worldview. In a lyrical plot is revealed the authorial point of view on correlation of themes of intimacy and musicality. Transformations of erotic codes are analysed in accordance with actualization of musicality by authorial consciousness of the poetess. The study is comprehended the author's view of the world in the text of «Reflection». An interpretation of the lyrical plot is presented in accordance with the inheritance and transformation of P. Barskov's traditions of the image of the intimate using the semantic potential of mirroring. The magical nature of the object turned into a mirror is due to the originality of the female view in the lyrical plot of P. Barskova, reflecting both the memory of the erotic experience and the ability to transform the surrounding space, their personal memories and feelings. The semiotization of personal erotic experience carried out in the consciousness of the lyrical heroine, correlates with the reflection and mythologization of intimacy, modeling the nostalgic discourse of the palimpsest consciousness of a modern emigrant poet. The field of study included such indicators of the poetess's nostalgic discourse as author codes, erotic connotations, phenomena of mirroring and musicality and their symbolic potential, semiotization of passions.