Zemsta, Schubert i pszczoły. Glosa do Irydiona Zygmunta Krasińskiego

W. Mazurek
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Abstract

This article attempts a new interpretation in the context of Zygmunt Krasiński’s work Irydion(1836) as a whole of the words: “Revenge, then, and forward where the bees buzz”, spoken by Irydion to Simeon of Corinth. Previous interpretative proposals (Schneider, Sinko, Kubacki, Stefanowska) have clarified much, but have not met with full acceptance. The new critical edition of Collected Works of the author of Irydion, reproduces the errors of previous scholars in explaining this exclamation. The new reading introduces the context of – probably known to Krasiński – Gotthilf Heinrich Schubert’s reflections on the bees from Symbolik des Traumes. The German philosopher believed that bees – the depositories of the memory of the “golden age of harmony and concord” – were the revelatorsof the “gospel of the new law”, and that the Latin root of these insects contains the hope of “burying” the present order. The final section of thearticle shows how Iridion manipulates these imaginaries – in Schubert’s view, characteristic of Christian communities – in order to persuade Simeonof Corinth and his chiliastic supporters to participate in a revolution of revenge against Rome.
本文试图在Zygmunt Krasiński的作品Irydion(1836)的背景下进行新的解释,作为一个整体:“复仇,然后,在蜜蜂嗡嗡作响的地方前进”,Irydion对科林斯的Simeon说。以前的解释性建议(Schneider, Sinko, Kubacki, Stefanowska)澄清了很多,但没有得到充分接受。新批评版的文集的作者Irydion,再现了错误的以前的学者在解释这一感叹。新的阅读介绍了戈特希尔夫·海因里希·舒伯特在《象征》中对蜜蜂的思考的背景(可能在Krasiński上知道)。这位德国哲学家认为,蜜蜂——“和谐与和谐的黄金时代”记忆的保存者——是“新法律福音”的揭示者,这些昆虫的拉丁词根包含着“埋葬”当前秩序的希望。文章的最后一部分展示了伊里迪恩如何操纵这些想象——在舒伯特看来,这是基督教社区的特征——以说服科林斯的西蒙诺和他的狂热支持者参与一场对罗马的报复革命。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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