Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea

S. Santa-Aguilar
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Abstract

The story of Timbrio and Silerio is the only one openly presented as a story of courtiers in La Galatea. The two Spanish courtiers and the two Italian ladies star a plot where poetry has a fundamental role. In this story, poetry exceeds the possibilities it has in the bucolic tradition. The courtier’s compositions oscillate between the spontaneous and self-referential characteristics of pastoral poetry and tailor-made poetry. Both possibilities intertwine unexpectedly to arrive at a paradoxical ending: tailor-made poems recited in Naples anticipate the outcome this story has in the middle of the arcadia, while spontaneous and sincere poetry ends up being part of a staging which aims to artificially generate an archetypal scene of recognition between the four characters.
盖拉蒂亚的Timbrio和Silerio故事中的真理、谎言和诗歌
Timbrio和Silerio的故事是《La Galatea》中唯一公开呈现的关于朝臣的故事。两个西班牙朝臣和两个意大利女士主演了一个情节,其中诗歌扮演了一个基本的角色。在这个故事中,诗歌超越了它在田园传统中的可能性。朝臣的作品在田园诗歌的自发和自我指涉特征与量身定制的诗歌之间摇摆。这两种可能性出乎意料地交织在一起,形成了一个矛盾的结局:在那不勒斯朗诵的量身定制的诗歌预示着这个故事在世外之境中间的结局,而自发和真诚的诗歌最终成为舞台的一部分,旨在人为地在四个人物之间产生一个原型场景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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