{"title":"Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea","authors":"S. Santa-Aguilar","doi":"10.30687/978-88-6969-579-7/023","DOIUrl":null,"url":null,"abstract":"The story of Timbrio and Silerio is the only one openly presented as a story of courtiers in La Galatea. The two Spanish courtiers and the two Italian ladies star a plot where poetry has a fundamental role. In this story, poetry exceeds the possibilities it has in the bucolic tradition. The courtier’s compositions oscillate between the spontaneous and self-referential characteristics of pastoral poetry and tailor-made poetry. Both possibilities intertwine unexpectedly to arrive at a paradoxical ending: tailor-made poems recited in Naples anticipate the outcome this story has in the middle of the arcadia, while spontaneous and sincere poetry ends up being part of a staging which aims to artificially generate an archetypal scene of recognition between the four characters.","PeriodicalId":216765,"journal":{"name":"Admiración del mundo\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas","volume":"102 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Admiración del mundo\n Actas selectas del XIV Coloquio Internacional de la Asociación de Cervantistas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/978-88-6969-579-7/023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The story of Timbrio and Silerio is the only one openly presented as a story of courtiers in La Galatea. The two Spanish courtiers and the two Italian ladies star a plot where poetry has a fundamental role. In this story, poetry exceeds the possibilities it has in the bucolic tradition. The courtier’s compositions oscillate between the spontaneous and self-referential characteristics of pastoral poetry and tailor-made poetry. Both possibilities intertwine unexpectedly to arrive at a paradoxical ending: tailor-made poems recited in Naples anticipate the outcome this story has in the middle of the arcadia, while spontaneous and sincere poetry ends up being part of a staging which aims to artificially generate an archetypal scene of recognition between the four characters.