Towards a New Popular Theatre (?). Reflections After the Completion of UBUmaterial Performative Archive on Instagram

Tasos Angelopoulos
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Abstract

The article describes the building of UBUmaterial performative archive on Instagram during the COVID-19 lockdown by Papalangki Theatre Company in Greece (2020–2021). Through an innovative format, UBUmaterial started as the attempt of three actors-narrators isolated due to pandemic to rehearse and somehow present Ubu Roi by Alfred Jarry. However, exploring the Instagram and play’s potentialities, the three actors soon would be transformed into narrators of their own effort, using their households and adopting a commenting stance on their everyday situation. Thus, the dramaturgy of UBUmaterial’s posts (videos) integrated most of the traditional popular theatre’s features and strategies. After a reflection on the contemporary meaning of “popularity” in theatre/performance, the article suggests that UBUmaterial (as well as other digital forms of theatre) may be considered a form of modern popular theatre.
走向一种新的流行戏剧(?)UBUmaterial在Instagram上的表演档案完成后的思考
本文介绍了希腊帕帕兰基剧院公司在2019冠状病毒病封锁期间(2020-2021年)在Instagram上建立UBUmaterial表演档案的情况。通过一种创新的形式,UBUmaterial开始于三位因大流行而被隔离的演员-叙述者的尝试排练,并以某种方式呈现阿尔弗雷德·贾瑞的《乌布Roi》。然而,在探索Instagram和戏剧的潜力之后,三位演员很快就变成了自己努力的叙述者,他们利用自己的家庭,对自己的日常情况采取评论的立场。因此,UBUmaterial的帖子(视频)的戏剧性融合了传统大众戏剧的大部分特点和策略。在对戏剧/表演中“流行”的当代意义进行反思后,文章认为UBUmaterial(以及其他数字形式的戏剧)可以被认为是现代流行戏剧的一种形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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