Types of Grotesque Character in Ahmad Alsaadawi’s Frankstein in Baghdad

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Abstract

Grotesque is a term that describes everything that seems unfamiliar. It includes the anomaly, the distorted, the ugly, the strange, and the mad, all of which have a philosophical dimension that rejects the monistic and absolute view and is based on the contradictory duality that expresses the individual’s reality in its two parts: the bright and the dark, the complete and the imperfect. The events in Frankenstein in Baghdad take place in the years of 2005 and 2006 when Iraq witnessed a severe state of chaos, destruction and killing. These horrific incidents are reflected in the characters of the novel as they appear to be distorted, insane, marginalized, cynical, quackery, masked, and blind. The value of the novel lies in its focus on this deep distortion that almost dominates the characters in terms of form and content, especially when they lost a sense of their value in Grotesque space. Consequently, these characters were granted their privacy and were allowed to interact and move in this grotesque space to adopt a world saturated with wounds, refraction, and pain without finding a way out of their misery except through sarcasm, which gives a deep meaning to their situation. Keyword: Novel, Frankenstein, Grotesque, Distortion, Frankenstein in Baghdad.
艾哈迈德·阿尔萨达维《巴格达的弗兰克斯坦》中的怪诞人物类型
怪诞是一个描述一切看起来不熟悉的事物的术语。它包括异常、扭曲、丑陋、奇怪和疯狂,所有这些都有哲学维度,拒绝一元论和绝对观点,并基于矛盾的二元性,这种二元性将个人的现实分为两个部分:光明和黑暗,完整和不完美。《科学怪人》中的事件发生在2005年和2006年,当时伊拉克经历了严重的混乱、破坏和杀戮。这些可怕的事件反映在小说中的人物身上,他们看起来扭曲、疯狂、边缘化、愤世嫉俗、江湖骗子、蒙面和盲目。小说的价值在于它关注了这种在形式和内容上几乎占据主导地位的深刻扭曲,尤其是当人物在怪诞空间中失去价值感时。因此,这些角色被赋予了他们的隐私,并被允许在这个怪诞的空间中互动和移动,以采用一个充满伤口,折射和痛苦的世界,而不是通过讽刺来找到摆脱痛苦的方法,这给他们的处境带来了深刻的意义。关键词:小说,弗兰肯斯坦,怪诞,扭曲,《巴格达的弗兰肯斯坦》
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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