Onomastics and multiculturalism in the novel Fraţii Jderi by Mihail Sadoveanu

Codruţa Cozma
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Abstract

Mihail Sadoveanu’s work capitalizes on the expressive dimensions of name-giving and depicts a world whose laws are articulated or disarticulated as regards the onomastic level of writing. The novel Fraţii Jderi most often observes the norms of onomastic conventions. It reflects an archaic world, an interweaving of social classes, nations and customs which highlight the multicultural character of the society and age described. The paper approaches the names of the characters in Fraţii Jderi from a threefold perspective: 1) etymological, in view of reconstructing the semantic traces in the anthroponyms investigated; 2) symbolic, making use of the information provided by lexicographic sources; 3) contextually connotative, decoding the possible “meaning” that the text assigns to the names (discursive meaning). In this analysis, we use the methodological precepts of anthroponymy, linguistics, theory of literary text and literary theory.
米哈伊尔·萨多维亚努小说《Fraţii Jderi》中的专一主义与多元文化主义
米哈伊尔·萨多维亚努的作品利用了命名的表达维度,并描绘了一个世界,这个世界的规律在写作的专有水平上是明确或不明确的。小说Fraţii Jderi最常遵守象形惯例的规范。它反映了一个古老的世界,社会阶层、民族和习俗交织在一起,突出了所描述的社会和时代的多元文化特征。本文从三个方面对《Fraţii Jderi》中的汉字名称进行了研究:1)语源学上的探讨,以期重构所研究的拟人词的语义轨迹;2)符号化,利用词典来源提供的信息;3)语境内涵,解码文本赋予名称的可能“意义”(话语意义)。在这一分析中,我们运用了拟人法、语言学、文学文本理论和文学理论的方法论原则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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