Melodic Drumming: What Do the Blues Sound Like on Drums?

M. Jordan
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Abstract

Why is it that parents dread the day their son or daughter tells them they want to play the drums? Why is it perceived as a non-musical experience? How can we change this perception? A core interest of mine is: how can melody be voiced on the drum-set? In my own drumming practice, I use melodic ideas as a central focus for compositional development. 'Melodic drumming' is a term I use to describe a style of drum-kit performance that facilitates creating melodic elements in performance and composition. I am currently undertaking research in which I am reflecting on my own experiences as a musician, exploring the historical roots of 'melodic drumming' and developing compositions which incorporate 'melodic drumming'. My research is focusing on the following questions: How can melody be voiced on the drum-set? What techniques are needed to realise 'melodic drumming'? What contribution will new compositions exploring 'melodic drumming' add to drum-kit repertoire? To what extent can compositions evolving 'melodic drumming' be inclusive of other instrumentalists? An important part of my research is examining the nature and role of improvisation in 'melodic drumming'.
旋律鼓点:布鲁斯在鼓上听起来像什么?
为什么父母害怕他们的儿子或女儿告诉他们他们想打鼓?为什么它被认为是一种非音乐体验?我们怎样才能改变这种看法呢?我的一个核心兴趣是:如何在架子鼓上表达旋律?在我自己的打鼓练习中,我使用旋律思想作为作曲发展的中心焦点。“旋律击鼓”是我用来描述一种鼓组表演风格的术语,它有助于在表演和作曲中创造旋律元素。我目前正在进行一项研究,我正在反思自己作为音乐家的经历,探索“旋律击鼓”的历史根源,并开发包含“旋律击鼓”的作品。我的研究主要集中在以下几个问题上:旋律如何在架子鼓上发声?实现“旋律鼓点”需要什么技巧?探索“旋律鼓乐”的新作品将对鼓组曲目有何贡献?发展为“旋律鼓乐”的作品在多大程度上可以包括其他乐器演奏家?我研究的一个重要部分是研究即兴创作在“旋律击鼓”中的性质和作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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