Narrator's Technique in the Iraqi Narrative Theater

Assist. Prof. Dr. Najat Essa Hassen
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Abstract

This article consists of four parts. The first part tries to clarify how the Arabs know the character of the narrator. It explains the importance of this character in literary works. Thus, it views the historical development of the narrator in the Arab world since the era before Islam, then in the era of Islam, and even the modern era. The second part talks about an Iraqi play who played a major role in the development of the Iraqi narrative art. It is Baghdad of eternity between seriousness and humor of the Iraqi dramaturge Qāsim Muḥammad (1934-2009). This play was performed in Baghdad in 1974, where the narrator plays an important role in the narrative of theatrical events, as he connects the historical events that Iraq has experienced with the currently events of the Iraqi spectator. The third part views the epic features of Qāsim’s play and tries to explain why this play was considered as new form of Iraqi theater. It is also want to know why the author used the heritage as a basic material for his play. At the same time this part wants to consider this play from another aspect, and views the real structure of it as new phenomenon at that time. All these will help us to know where the name of this play came from. The fourth part refers to the epic role of the narrator in Baghdad of eternity between seriousness and humor, in order to know more about this character and to view the important role that the narrator can play in the literary work. In addition this article discusses the dramaturges intention, which helps the spectator to meditate on the past and to learn from its lessons so that he can monitor his reality and criticizes it. It will explain why this character becomes a necessary part of the foundations and components of the dramatic work, such as text, author and heritage. Moreover this article will refer to Brecht's epic theater to find similarities between Brecht's theater and Qāsim's theater. Finally, it views the importance of Qāsim's play for the Iraqi society by preserving the literary heritage.
伊拉克叙事戏剧中的叙述者技巧
本文由四个部分组成。第一部分试图澄清阿拉伯人是如何知道叙述者的性格的。说明了这一性格在文学作品中的重要性。从而考察叙述者在阿拉伯世界的历史发展,从伊斯兰教之前的时代,到伊斯兰教时代,再到现代。第二部分讲述了一部对伊拉克叙事艺术发展起重要作用的伊拉克戏剧。这是伊拉克戏剧Qāsim Muḥammad(1934-2009)严肃与幽默之间永恒的巴格达。该剧于1974年在巴格达上演,叙述者在戏剧事件的叙述中扮演着重要的角色,因为他将伊拉克经历的历史事件与伊拉克观众当前的事件联系起来。第三部分考察了Qāsim戏剧的史诗特征,并试图解释为什么这部戏剧被认为是伊拉克戏剧的新形式。也想知道为什么作者使用遗产作为他的戏剧的基本材料。同时,本部分也想从另一个角度来审视这部剧,把它的真实结构作为当时的一种新现象来看待。所有这些都将帮助我们知道这个剧本的名字是从哪里来的。第四部分是叙述者在严肃与幽默之间永恒的巴格达中所扮演的史诗角色,以便更多地了解这一角色,并看到叙述者在文学作品中所能发挥的重要作用。此外,本文还探讨了戏剧创作的意图,它有助于观众对过去进行反思,从中吸取教训,从而监督自己的现实并对其进行批判。它将解释为什么这个角色成为戏剧作品的基础和组成部分的必要组成部分,如文本,作者和遗产。此外,本文将参考布莱希特的史诗戏剧,找出布莱希特戏剧与Qāsim戏剧的相似之处。最后,从保存文学遗产的角度来看待Qāsim话剧对伊拉克社会的重要性。
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