Learning from the Crackle Exhibition

Kristina Andersen, Nicholas Ward
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引用次数: 1

Abstract

This paper describes the Crackle exhibition, an interactive exhibition presented at the Stedelijk Museum in Amsterdam in 1975. We propose that it can be seen as a foreshadowing of aspects of the current state of the art of TEI avant la lettre; and that there might not only be value in examining historical work to construct a longer historical framework for TEI, but that the methods used in the construction of this exhibition might be useful in constructing new visions that foreshadow into the future from our current technological position. We present a detailed description of the exhibition based on documentation and interviews with the people who built it, and suggest that the current state of disappearing computers and embedded computational ability in everyday devices form an opportunity to imagine novel interaction paradigms that may transcend the digital in a similar way as the Crackle exhibition in 1975 transcended the electrical.
向噼啪展学习
本文描述了1975年在阿姆斯特丹市立博物馆举办的“噼啪”展览。我们认为,它可以被视为TEI先进文学艺术现状的一个预兆;而且,研究历史工作,为TEI构建一个更长的历史框架,可能不仅有价值,而且在构建这次展览中使用的方法,可能有助于从我们目前的技术地位出发,构建预示未来的新愿景。我们根据文献资料和对展览组织者的采访,对展览进行了详细的描述,并建议当前正在消失的计算机和嵌入日常设备的计算能力的状态,形成了一个想象新的交互范式的机会,这种范式可能超越数字,就像1975年的Crackle展览超越电子一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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