Performing Bollywood Broadway: Shillong Chamber Choir as Bollywood’s Other

Sebanti Chatterjee
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Abstract

This article attempts to explore the performativity that surrounds choral music in contemporary India. 1 1 Choral music was discovered in Western civilization and Christianity. As a starting point, it had the Gregorian reforms of the 6th century. Choir primarily refers to a vocal ensemble practising sacred music inside church settings as opposed to chorus which indicates vocal ensembles performing in secular environments. Multiple singers rendered sacred polyphony 1430 onwards. By the end of the century a standardized four-part range of three octaves or more became a feature. The vocal parts were called superius (later, soprano), altus, tenor (from its function of ‘holding’ the cantus-firmus) and bassus (Unger 2010, 2–3). Moving beyond its religious functions, the Shillong Chamber Choir locates itself within various sounds. Hailing from Meghalaya in the north- eastern part of India, the Shillong Chamber Choir has many folksy and original compositions in languages such as Khasi, Nagamese, Assamese and Malayalam. However, what brought them national fame was the Bollywoodisation 2 2 Bollywood refers to the South Asian film industry situated in Mumbai. The term also includes its film music and scores. of the choir. With its win in the reality TV Show, India’s Got Talent 3 3 India’s Got Talent is a reality TV series on Colors television network founded by Sakib Zakir Ahmed, part of Global British Got Talent franchise. in 2010, the Shillong Chamber Choir introduced two things to the Indian sound-scape—reproducing and inhabiting the Bollywood sound within a choral structure, and introducing to the Indian audience a medley of songs that could be termed ‘popular’, but which ultimately acquired a more eclectic framework. Medley is explored as a genre. The purpose of this article is to understand how ‘Bollywood Broadway’ is the mode through which choral renditions and more mainstream forms of entertainment are coming together.
表演宝莱坞百老汇:西隆室内合唱团作为宝莱坞的另一个
本文试图探讨当代印度合唱音乐的表演性。11合唱音乐是在西方文明和基督教中被发现的。它以六世纪的格列高利改革为起点。唱诗班主要是指在教堂内练习神圣音乐的声乐合奏,而合唱则是指在世俗环境中表演的声乐合奏。从1430年起,多位歌手演唱了神圣的复调。到本世纪末,三个八度或更多的标准化四声部音域成为一种特征。声部被称为上声部(后来称为女高音)、中音部、男高音部(因为其“握住”紧腹肌的功能)和低音部(Unger 2010, 2-3)。超越其宗教功能,西隆室内合唱团将自己定位在各种声音中。西隆室内合唱团来自印度东北部的梅加拉亚邦,有许多民间和原创的作品,如卡西语,那加姆语,阿萨姆语和马拉雅拉姆语。然而,给他们带来全国名声的是宝莱坞化。宝莱坞指的是位于孟买的南亚电影工业。该术语还包括其电影音乐和配乐。唱诗班的。凭借其在真人秀节目中的胜利,印度达人秀是由Sakib Zakir Ahmed创立的彩色电视网络上的真人秀电视连续剧,是全球英国达人秀的一部分。2010年,西隆室内乐合唱团向印度引入了两件事——在合唱结构中再现和融入宝莱坞的声音,并向印度观众介绍了一组可以被称为“流行”的歌曲,但最终获得了一个更折衷的框架。混合乐是作为一种流派来探索的。本文的目的是了解“宝莱坞百老汇”是如何通过合唱表演和更主流的娱乐形式结合在一起的模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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