Perspektif Dramaturgi Pada Komunikasi Antar Budaya Indonesia-Australia

Moch. Armien Syifaa Sutarjo, Anisa Diniati, S. Setiawati
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Abstract

Individuals meet and communicate with other individuals in various social contexts every day. They interact and communicate by bringing with them the patterns of thinking, feeling and behavior they have learned during their lives. All forms of communication must have a cultural background, and the differences that exist in the communication process become a major obstacle. This study aims to discover how communication exists amid cultural differences between Indonesia and Australia so that the communication process continues to run well, using Erving Goffman's Dramaturgy theory approach, with the concept of backstage and frontstage. This research is qualitative research using a phenomenological approach. Data was collected through in-depth interviews, observation and documentation studies. The results of this study indicate that in the preparation stage (backstage), before directly meeting and communicating with Australian families, they used two kinds of information sources: Internet References and Human References. In their daily interactions, in presenting the frontstage, there were two kinds of characters shown by the speakers, namely Westernized Indonesian and Indonesianized-Indonesian.
戏剧对印尼-澳大利亚文化之间交流的看法
人们每天都在不同的社会环境中与他人见面和交流。他们通过带来他们在生活中学到的思维、感觉和行为模式来进行互动和交流。任何形式的交流都必须有文化背景,而在交流过程中存在的差异成为主要障碍。本研究旨在运用欧文·戈夫曼的戏剧理论方法,在后台和前台的概念下,发现在印尼和澳大利亚的文化差异中,交际是如何存在的,从而使交际过程继续顺利进行。本研究采用现象学方法进行定性研究。通过深入访谈、观察和文献研究收集数据。本研究结果表明,在准备阶段(后台),在与澳大利亚家庭直接会面和交流之前,他们使用了两种信息来源:Internet References和Human References。在日常的互动中,主讲人在舞台上呈现出两种性格,即西方化的印尼语和印尼化的印尼语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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