Under the sign of pandemic

Andreea Scrumeda
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Abstract

The present paper aims to chronologically and comparatively present the evolution of human behavior, from the first recorded pandemics to the Covid-19 pandemic. We are interested in the attribution of these infectious disease’s origin, as well as in the literary and artistic manifestations that represented these disasters. While in the Antiquity the pagan philosopher Porphyry of Tire lamented the rise of Christianity, blaming it for the appearance of the plague, in Middle Ages Europe, Christians looked for scapegoats among the religious minorities. Epidemics and pandemics also proved to be an irresistible subject for many writers; in visual arts, the Great Plague of the Middle Ages inspired the iconographic theme Danse Macabre. Today, movies deal with this topic from an apocalyptic perspective, thus marking a return to the ancient conceptions of plagues. We also find that, from the Middle Ages to the present day, the popular reactions are broadly the same, including negationism, misinformation and mistrust of authorities. Apart from questionable cures, the tendency to reject sanitary measures has also been survived, especially since social media currently provide a huge amount of right and of false information, hard to classify.
在大流行的迹象下
本文旨在按时间顺序和比较地呈现人类行为的演变,从第一次有记录的大流行到Covid-19大流行。我们感兴趣的是这些传染病的起源,以及代表这些灾难的文学和艺术表现。在古代,异教哲学家波尔菲利哀叹基督教的兴起,将瘟疫的出现归咎于基督教,而在中世纪的欧洲,基督徒则在宗教少数群体中寻找替罪羊。流行病和流行病也被证明是许多作家无法抗拒的主题;在视觉艺术中,中世纪的大瘟疫激发了图像主题《死亡之舞》的灵感。今天,电影从世界末日的角度来处理这个话题,从而标志着对瘟疫的古老观念的回归。我们还发现,从中世纪到现在,大众的反应大致相同,包括否定主义、错误信息和对当局的不信任。除了有问题的治疗方法外,拒绝卫生措施的倾向也存在,尤其是在社交媒体目前提供了大量难以分类的正确和虚假信息的情况下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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